Born: May 15, 1905
Died: February 6, 1994 (at age 88)
Birthplace: Petersburg, Virginia, U.S.
Joseph Cheshire Cotten, Jr. (May 15, 1905 - February 6, 1994) was an American film, stage, radio and television actor. Cotten achieved prominence on Broadway, starring in the original stage productions of The Philadelphia Story and Sabrina Fair. He first gained worldwide fame in the Orson Welles film Citizen Kane (1941), The Magnificent Ambersons (1942), and Journey into Fear (1943), for which Cotten was also credited with the screenplay. He went on to become one of the leading Hollywood actors of the 1940s, appearing in films such as Shadow of a Doubt (1943), Love Letters (1945), Duel in the Sun (1946), Portrait of Jennie (1948), The Third Man (1949), and Niagara (1953). One of his final films was Michael Cimino's Heaven's Gate (1980).
Joseph Cotten was born in 1905 in Petersburg, Virginia, the first of three sons born to Joseph Cheshire Cotten, Sr., an assistant postmaster, and Sally Willson Cotten. He grew up in the Tidewater region and showed an aptitude for drama and a gift for storytelling. In 1923, when Cotten was 18, his family arranged for him to receive private lessons at the Hickman School of Expression in Washington, D.C., and underwrote his expenses. He earned spending money playing professional football on Sundays, for $25 a quarter. After graduation he earned enough money as a lifeguard at Wilcox Lake to pay back his family's loan, with interest.
He worked as an advertising agent, and his work as a theatre critic inspired him to become involved in theatre productions, first in Virginia, then in New York City. Cotten made his Broadway debut in 1930.
In 1934 Cotten met and became friends with Orson Welles, a fellow cast member on CBS Radio's The American School of the Air. Welles regarded Cotten as a brilliant comic actor, and gave him the starring role in his Federal Theatre Project farce, Horse Eats Hat (September 26-December 5, 1936). Cotten was sure that Horse Eats Hat won him the notice of his future Broadway costar, Katharine Hepburn.
In 1937 Cotten became an inaugural member of Welles's Mercury Theatre company, starring in its Broadway productions Caesar, The Shoemaker's Holiday and Danton's Death, and in radio dramas presented on The Mercury Theatre on the Air and The Campbell Playhouse.
Cotten made his film debut in the Welles-directed short, Too Much Johnson, a comedy that was intended to complement the aborted 1938 Mercury stage production of William Gillette's 1890 play. The film was never screened in public and was lost until 2013.
Cotten returned to Broadway in 1939, creating the role of C. K. Dexter Haven opposite Katharine Hepburn's Tracy Lord in the original production of Philip Barry's The Philadelphia Story. The play ran for a year at the Shubert Theatre, and in the months before its extensive national tour a film version was to be made by MGM. Cotten went to Hollywood, but discovered there that his stage success in The Philadelphia Story translated to, in the words of his agent Leland Hayward, "spending a solid year creating the Cary Grant role." Hayward suggested that they call Cotten's good pal, Orson Welles. "He's been making big waves out here," Hayward said. "Maybe nobody in Hollywood ever heard of the Shubert Theatre in New York, but everybody certainly knows about the Mercury Theatre in New York."
After the success of Welles's War of the Worlds 1938 Halloween radio broadcast, Welles gained a unique contract with RKO Pictures. The two-picture deal promised full creative control for the young director below an agreed budget limit, and Welles's intention was to feature the Mercury Players in his productions. Shooting had still not begun on a Welles film after a year, but after a meeting with writer Herman J. Mankiewicz Welles had a suitable project.
In mid-1940 filming began on Citizen Kane, portraying the life of a press magnate (played by Welles) who starts out as an idealist but eventually turns into a corrupt, lonely old man. The film featured Cotten prominently in the role of Kane's best friend Jedediah Leland, eventually a drama critic for one of Kane's papers.
When released on May 1, 1941, Citizen Kane — based in part on the life of William Randolph Hearst — did not do much business at theaters; Hearst owned numerous major newspapers, and forbade them to carry advertisements for the film. Nominated for nine Academy Awards in 1942, the film won only for Best Screenplay, for Mankiewicz and Welles. Citizen Kane launched the film careers of the Mercury Players, including Agnes Moorehead (who played Kane's mother), Ruth Warrick (Kane's first wife), and Ray Collins (Kane's political opponent). However, Cotten was the only one of the four to find major success as a lead in Hollywood outside of Citizen Kane; Moorehead and Collins became successful character film actors and Warrick spent decades in a career in daytime television.
Cotten starred a year later in Welles's adaptation and production of The Magnificent Ambersons. After the commercial disappointment of Citizen Kane, RKO was apprehensive about the new film, and after poor preview responses, cut it by nearly an hour before its release. Though at points the film appeared disjointed, it was well received by critics. Despite the critical accolades Cotten received for his performance, he was again snubbed by the Academy.
Cotten and Welles (uncredited) wrote the Nazi-related thriller Journey into Fear (1943) based on the novel by Eric Ambler. Released by RKO, the Mercury production was directed by Norman Foster. It was a collaborative effort due to the difficulties shooting the film and the pressures related to Welles's imminent departure to South America to begin work on It's All True.
After Welles's return he and Cotten co-produced The Mercury Wonder Show for members of the U.S. armed services. Opening August 3, 1943, the all-star magic and variety show was presented in a tent at 9000 Cahuenga Boulevard in Hollywood. Featured were Welles (Orson the Magnificent), Cotten (Jo-Jo the Great), Rita Hayworth (forced to quit by Columbia Pictures boss Harry Cohn and replaced by Marlene Dietrich), Agnes Moorehead (Calliope Aggie) and others. Tickets were free to servicemen, and more than 48,000 of them had seen show by September 1943.
In late 1943 Cotten visited Welles's office and said that producer David O. Selznick wanted to make two or three films with him, but that he wanted him under contract. As he tore up Cotten's contract with Mercury Productions, Welles said, "He can do more for you than I can. Good luck!"
In film, Cotten and Welles worked together in The Third Man (1949). Cotten portrays a writer of pulp fiction who travels to postwar Vienna to meet his friend Harry Lime (Welles). When he arrives, he discovers that Lime has died, and is determined to prove to the police that it was murder, but uncovers an even darker secret.
The characters that Cotten played onscreen during the 1940s ranged from a serial killer in Hitchcock's Shadow of a Doubt (1943) to an eager police detective in Gaslight (1944). Cotten starred with Jennifer Jones in four films for Selznick International Pictures: the wartime domestic drama Since You Went Away (1944); the romantic drama Love Letters (1945); Duel in the Sun (1946), which remains one of the top 100 highest grossing films of all time when adjusted for inflation; and the critically acclaimed Portrait of Jennie (1948), in which he played a melancholy artist who becomes obsessed with a girl who may have died many years before. As well as reuniting onscreen with Orson Welles in Carol Reed's The Third Man in 1949, he reunited with Hitchcock in Under Capricorn (1949) as an Australian landowner with a shady past.
Exhibitors voted him the 17th most popular star in the US in 1945.
Cotten's screen career cooled in the 1950s with a string of less high-profile roles in films such as the dark Civil War Western Two Flags West (1950), the Joan Fontaine romance September Affair (1950), and the Marilyn Monroe vehicle Niagara (1953), after James Mason turned down the role. His last theatrical releases in the '50s were mostly film-noir and unsuccessful character studies.
On the stage in 1953, Cotten created the role of Linus Larrabee, Jr., in the original Broadway production of Sabrina Fair, opposite Margaret Sullavan. The production ran November 11, 1953 - August 21, 1954, and was the basis of the Billy Wilder film Sabrina, which starred Humphrey Bogart and Audrey Hepburn.
In 1956, Cotten left film for years for a string of successful television ventures, such as the NBC series On Trial (renamed at mid-season The Joseph Cotten Show).
Cotten was featured in Alfred Hitchcock Presents and Ronald Reagan's General Electric Theater. He appeared on May 2, 1957, on NBC's comedy variety series, The Ford Show, Starring Tennessee Ernie Ford. Near the end of the decade, he made a cameo appearance in Welles'sTouch of Evil (1958) and a starring role in the film adaptation of Jules Verne's From the Earth to the Moon (also 1958). He also appeared as Dick Burlingame and Charles Lawrence in the 1960 episodes "The Blue Goose" and "Dark Fear" of CBS's anthology series The DuPont Show with June Allyson. He also appeared on NBC's anthology series, The Barbara Stanwyck Show.
In 1960 Cotten married British actress Patricia Medina after his first wife, Lenore Kipp, died of leukemia earlier in the year. After some time away from film, Cotten returned in the horror classic Hush… Hush, Sweet Charlotte (1964), with Bette Davis, Olivia de Havilland and Agnes Moorehead. The rest of the decade found Cotten in a number of European and Japanese productions, B-movies and made for television movies. He made multiple guest appearances on The Ed Sullivan Show. In 1967, he joined Karl Swenson, Pat Conway, and Dick Foran in the nostalgic western dramatic film Brighty of the Grand Canyon, about a burro who lived in the Grand Canyon of the Colorado River from about 1892-1922. On television, he narrated David L. Wolper's documentary Hollywood and the Stars (1963-64). In 1968 he made a guest appearance in a two-part episode of the series Ironside ("Split Second to an Epitaph").
In the early 1970s, Cotten followed a supporting role in Tora! Tora! Tora! (1970) with several horror features: The Abominable Dr. Phibes (1971) with Vincent Price, and Soylent Green (1973), the last film featuring Edward G. Robinson. Later in the decade, Cotten was in several all-star disaster films, including Airport '77 (1977) with James Stewart and again with Olivia de Havilland, and the nuclear thriller Twilight's Last Gleaming (1977). On television, he did guest spots on The Rockford Files ("This Case Is Closed", 1974) and "The Love Boat".
One of Cotten's last films was the box-office bomb Heaven's Gate (1980), at the time critically mauled in the United States but well received abroad. The film was positively reevaluated early in the 21st century, receiving a Criterion Collection release in 2013.
He appeared in two episodes of a twist-in-the-tale episode of the British TV series Tales of the Unexpected, with Wendy Hiller (1979), and Gloria Grahame (1980). He also appeared in three horror films, The Hearse (1980), Delusion (also known as The House Where Death Lives) (1980), and the Australian film The Survivor (1981). Cotten suffered a stroke in 1981 which caused him to temporarily lose his voice.
On June 8, 1981, Cotten had a heart attack followed by a stroke that affected his speech center. He began years of therapy which in time made it possible for him to speak again. As he began to recover, he and Orson Welles talked on the phone each week for a couple of hours: "He was strong and supportive," Cotten wrote, "and whenever I used the wrong word (which was frequently) he would say, 'That's a much better word, Jo, I'm going to use it.'" He and Welles would meet for lunch and reminisce, and when Cotten said he had written a book Welles asked for the manuscript and read it that same night. In a phone conversation on October 9, 1985, Welles told his friend and mentor Roger Hill that Cotten had written a book, and Hill asked how it read. "Gentle, witty, and self-effacing, just like Jo," Welles replied. "My only complaint is that it's too brief." Welles died the following day. "Somewhere among his possessions is a manuscript of this book," Cotten wrote on the last page of his autobiography, published in 1987 under the title Vanity Will Get You Somewhere.
In 1990, Cotten's larynx was removed due to cancer. He died on February 6, 1994, of pneumonia, at the age of 88. He was buried at Blandford Cemetery in Petersburg, Virginia.
Joseph Cotten received a Venice Film Festival Award for Best Actor for his work in Portrait of Jennie.
In the 2008 film, Me and Orson Welles, Cotten is portrayed by James Tupper.
Date | Title | Role | Notes |
---|---|---|---|
October 17, 1932-January 1933 | Absent Father | Larry | Vanderbilt Theatre, New York |
December 19, 1933-January 1934 | Jezebel | Dick Ashley | Ethel Barrymore Theatre, New York |
February 4-February 1934 | Loose Moments | Ralph Merkes | Vanderbilt Theatre, New York |
September 26-December 5, 1936 | Horse Eats Hat | Freddy | Maxine Elliott Theatre, New York |
January 8-April 1, 1937 | Faustus | 2nd Scholar | Maxine Elliott Theatre, New York |
April 21-23, 1937 | The Second Hurricane | Airplane pilot | Henry Street Settlement, New York City |
November 11, 1937 - May 28, 1938 | Caesar | Publius | Mercury Theatre, New York Moved to the larger National Theatre January 24, 1938 |
December 25, 1937 | The Shoemaker's Holiday | Rowland Lacy | Mercury Theatre, New York Surprise preview performance immediately following Caesar |
January 1-April 28, 1938 | The Shoemaker's Holiday | Rowland Lacy | Mercury Theatre, New York Moved to the National Theatre January 26, 1938 |
August 16-29, 1938 | Too Much Johnson | Augustus Billings | Stony Creek Theatre, Stony Creek, Connecticut |
November 2-19, 1938 | Danton's Death | Barrere | Mercury Theatre, New York |
March 28, 1939 - March 30, 1940 | The Philadelphia Story | C. K. Dexter Haven | Shubert Theatre, New York |
November 11, 1953 - August 21, 1954 | Sabrina Fair | Linus Larrabee, Jr. | National Theatre, New York Moved to the Royale Theatre May 17, 1954 |
Date | Title | Role | Notes |
---|---|---|---|
1934 | The American School of the Air | Repertory cast | |
July 14-September 22, 1935 | America's Hour | Repertory cast | |
1935 | Farm Tenancy | Resettlement Administration drama | |
November 14, 1936 | Columbia Workshop | "Hamlet" | |
May 9, 1937 | The Second Hurricane | Airplane pilot | One-hour broadcast on CBS Radio |
September 5, 1938 | The Mercury Theatre on the Air | Dr. Bull | "The Man Who Was Thursday" |
October 9, 1938 | The Mercury Theatre on the Air | "Hell on Ice" | |
October 16, 1938 | The Mercury Theatre on the Air | Genesis | "Seventeen" |
December 3, 1938 | The Campbell Playhouse | Fred | "A Christmas Carol" |
January 6, 1939 | The Campbell Playhouse | "Counsellor-at-Law" | |
January 13, 1939 | The Campbell Playhouse | Fletcher Christian | "Mutiny on the Bounty" |
January 20, 1939 | The Campbell Playhouse | "The Chicken Wagon Family" | |
January 27, 1939 | The Campbell Playhouse | Riley | "I Lost My Girlish Laughter" |
September 17, 1939 | The Campbell Playhouse | "Ah, Wilderness!" | |
October 22, 1939 | The Campbell Playhouse | The Cashier | "Liliom" |
1939-40 | The Career of Alice Blair | Male lead | |
February 11, 1940 | The Campbell Playhouse | "Mr. Deeds Goes to Town" | |
September 22, 1941 | Lux Radio Theatre | Michael Fitzpatrick | "Lydia" |
October 6, 1941 | Orson Welles Show | ||
October 13, 1941 | Orson Welles Show | ||
October 20, 1941 | Orson Welles Show | ||
November 10, 1941 | Orson Welles Show | ||
December 1, 1941 | Orson Welles Show | ||
December 7, 1941 | Orson Welles Show | ||
December 22, 1941 | Orson Welles Show | ||
December 29, 1941 | Orson Welles Show | ||
March 22, 1942 | The Silver Theatre | Jim Emerson | "Only Yesterday" |
November 23, 1942 | Ceiling Unlimited | "The Navigator" | |
December 21, 1942 | Ceiling Unlimited | "Gremlins" | |
December 28, 1942 | Ceiling Unlimited | "Pan American Airlines" | |
January 17, 1943 | Hello Americans | "Feed the World" | |
February 1, 1943 | Cavalcade of America | "To the Shores of Tripoli" | |
May 24, 1943 | The Screen Guild Theater | Uncle Charlie | "Shadow of a Doubt" |
June 28, 1943 | Lux Radio Theatre | "The Great Man's Lady" | |
August 8, 1943 - April 30, 1944 | America — Ceiling Unlimited | Host | Weekly half-hour variety series |
December 6, 1943 | The Screen Guild Theater | Jim Emerson | "Only Yesterday" |
March 23, 1944 | Suspense | "Sneak Preview" | |
May 8, 1944 | Lux Radio Theatre | Roger Adams | "Penny Serenade" |
June 5, 1944 | Cavalcade of America | "Treason" | |
September 14, 1944 | Suspense | "You'll Never See Me Again" | |
November 6, 1944 | Democratic National Committee Program | Election-eve political broadcast | |
November 13, 1944 | The Screen Guild Theater | Johnny Case | "Holiday" |
November 26, 1944 | The Harold Lloyd Comedy Theatre | "Clarence" | |
February 1, 1945 | Suspense | "The Most Dangerous Game" | |
February 6, 1945 | A Date with Judy | Guest | "The Strange Case of Joseph Cotten" |
April 30, 1945 | The Screen Guild Theater | Alessandro | "Ramona" |
June 4, 1945 | Lux Radio Theatre | Holger Brandt | "Intermezzo" |
June 15, 1945 | Weapon for Tomorrow | "Freedom of Information" | |
September 18, 1945 | Theater of Romance | Nathan Hale | "One Life to Lose" |
September 20, 1945 | The Birdseye Open House | Guest | |
September 27, 1945 | Suspense | "The Earth Is Made of Glass" | |
October 11, 1945 | Suspense | "Beyond Good and Evil" | |
November 26, 1945 | The Screen Guild Theater | Richard Kurt | "Biography of a Bachelor Girl" |
December 24, 1945 | Lux Radio Theatre | Zachary Morgan | "I'll Be Seeing You" |
January 17, 1946 | Suspense | "The Pasteboard Box" | |
February 10, 1946 | The Radio Reader's Digest | "Ultimate Security" | |
April 22, 1946 | Lux Radio Theatre | Alan Quinton | "Love Letters" |
May 2, 1946 | Suspense | "Crime Without Passion" | |
July 24, 1946 | Academy Award Theatre | "Foreign Correspondent" | |
September 11, 1946 | Academy Award Theatre | "Shadow of a Doubt" | |
September 24, 1946 | The Cresta Blanca Hollywood Players | Lou Gehrig | "The Pride of the Yankees" |
October 1, 1946 | The Cresta Blanca Hollywood Players | Max de Winter | "Rebecca" |
November 4, 1946 | Lux Radio Theatre | "I've Always Loved You" | |
December 5, 1946 | The Radio Reader's Digest | "The Hard-Boiled Reporter and the Miracle" | |
December 16, 1946 | The Screen Guild Theater | Michael | "This Love of Ours" |
December 19, 1946 | Suspense | "The Thing in the Window" | |
December 25, 1946 | The Cresta Blanca Hollywood Players | "All Through the House" | |
January 27, 1947 | The Screen Guild Theater | "Swell Guy" | |
March 5, 1947 | The Eagle's Brood | Documentary on juvenile delinquency | |
May 15, 1947 | The Radio Reader's Digest | "Halfway to Reno" | |
May 19, 1947 | Cavalcade of America | "Witness by Moonlight" | |
September 15, 1947 | Lux Radio Theatre | Nicholas | "The Seventh Veil" |
October 26, 1947 | Hollywood Fights Back | ||
January 5, 1948 | Lux Radio Theatre | Glenn Morley | "The Farmer's Daughter" |
January 26, 1948 | Lux Radio Theatre | Devlin | "Notorious" |
February 12, 1948 | The Radio Reader's Digest | "The Baron of Arizona" | |
March 8, 1948 | Lux Radio Theatre | John Ballantyne | "Spellbound" |
April 11, 1948 | The Eternal Light | "The Man Who Remembered Lincoln" | |
June 21, 1948 | The Screen Guild Theater | Uncle Charlie | "Shadow of a Doubt" |
May 9, 1949 | Lux Radio Theatre | Anthony Keane | "The Paradine Case" |
May 15, 1949 | The Prudential Family Hour of Stars | "Breakdown" | |
June 30, 1949 | Suspense | "The Day I Died" | |
October 24, 1946 | Screen Directors Playhouse | Alan Quinton | "Love Letters" |
October 31, 1949 | Lux Radio Theatre | Eben Adams | "Portrait of Jennie" |
March 10, 1950 | Screen Directors Playhouse | Eben Adams | "Portrait of Jennie" |
March 15, 1950 | Family Theater | "Germelshausen" | |
March 30, 1950 | Suspense | "Blood Sacrifice" | |
June 11, 1950 | Guest Star | "Portrait of a Small Gentleman" | |
September 28, 1950 | Suspense | "Fly by Night" | |
October 9, 1950 | Hollywood Star Playhouse | "Of Night and the River" | |
November 30, 1950 | Screen Directors Playhouse | "Mrs. Mike" | |
January 2, 1951 | Cavalcade of America | "An American from France" | |
January 7, 1951 | Theatre Guild on the Air | Holly Martins | "The Third Man" |
January 25, 1951 | Screen Directors Playhouse | "Spellbound" | |
February 15, 1951 | Hallmark Playhouse | "A Man for All Ages" | |
April 9, 1951 | Lux Radio Theatre | Holly Martins | "The Third Man" |
September 30, 1951 | Theatre Guild on the Air | "Main Street" | |
October 2, 1951 | Philip Morris Playhouse on Broadway | "Angel Street" | |
October 18, 1951 | Hallmark Playhouse | "Cashel Byron's Profession" | |
November 5, 1951 | Suspense | "The Trials of Thomas Shaw" | |
January 24, 1952 | Stars in the Air | "Enchantment" | |
January 28, 1952 | Suspense | "Carnival" | |
January 31, 1952 | Hallmark Playhouse | "Westward Ho" | |
March 6, 1952 | Hallmark Playhouse | "Man Without a Home" | |
March 10, 1952 | Suspense | "A Watery Grave" | |
March 16, 1952 | Philip Morris Playhouse on Broadway | "In a Lonely Place" | |
March 27, 1952 | The Screen Guild Theater | "Night Must Fall" | |
September 7, 1952 | Hollywood Star Playhouse | "The Tenth Planet" | |
September 14, 1952 | Theatre Guild On the Air | "The Wisteria Tree" | |
October 12, 1952 | Hallmark Playhouse | "Young Mr. Disraeli" | |
December 22, 1952 | Suspense | "Arctic Rescue" | |
December 28, 1952 | Hallmark Playhouse | "A Man Called Peter" | |
January 11, 1953 | Theatre Guild On the Air | "Jane" | |
January 14, 1953 | Philip Morris Playhouse on Broadway | "Hold Back the Dawn" | |
January 18, 1953 | Theatre Guild on the Air | "Trial by Forgery" | |
January 26, 1953 | Lux Radio Theatre | David Lawrence | "September Affair" |
March 1, 1953 | The Bakers' Theater of Stars | "The Mango Tree" | |
March 30, 1953 | Suspense | "Tom Dooley" | |
June 16, 1953 | The Martin and Lewis Show | Guest | |
July 6, 1953 | Lux Radio Theatre | Jim Warlock | "Cynara" |
August 3, 1953 | Lux Radio Theatre | "Romance to a Degree" | |
August 26, 1953 | Philip Morris Playhouse on Broadway | "Love Letters" | |
September 14, 1953 | Lux Radio Theatre | Jim Osborne | "The Steel Trap" |
October 14, 1953 | Radio Playhouse | Narrator | "Routine Assignment" |
October 24, 1953 | The Grand Alliance | United Nations Day broadcast | |
May 15, 1954 | Salute to Eugene O'Neill | Narrator | All-star benefit for cerebral palsy |
December 15, 1957 | Suspense | "An Occurrence at Owl Creek Bridge" | |
August 2, 1959 | Suspense | "Red Cloud Mesa" |
Year | Title | Role | Notes |
---|---|---|---|
1938 | Too Much Johnson | Augustus Billings | Short |
1940 | Citizen Kane trailer | Himself, Jedediah "Jed" Leland | Short |
1941 | Citizen Kane | Jed Leland | |
1941 | Lydia | Michael Fitzpatrick | |
1942 | Magnificent Ambersons, TheThe Magnificent Ambersons | Eugene Morgan | |
1943 | Shadow of a Doubt | Charles Oakley | |
1943 | Journey into Fear | Howard Graham | Screenplay (with uncredited Orson Welles) |
1943 | Hers to Hold | Bill Morley | |
1944 | Gaslight | Brian Cameron | |
1944 | Since You Went Away | Lieutenant Tony Willett | |
1945 | I'll Be Seeing You | Zachary Morgan | |
1945 | Love Letters | Alan Quinton | |
1946 | Duel in the Sun | Jesse McCanles | |
1947 | Farmer's Daughter, TheThe Farmer's Daughter | Glenn Morley | |
1948 | Portrait of Jennie | Eben Adams | Venice Film Festival Award for Best Actor |
1949 | Third Man, TheThe Third Man | Holly Martins | |
1949 | Under Capricorn | Sam Flusky | |
1949 | Beyond the Forest | Dr. Lewis Moline | |
1950 | Two Flags West | Col. Clay Tucker | |
1950 | Walk Softly, Stranger | Chris Hale | Shot in 1948 |
1950 | September Affair | David Lawrence | |
1951 | Half Angel | John Raymond, Jr. | |
1951 | Peking Express | Michael Bachlin | |
1951 | Man with a Cloak, TheThe Man with a Cloak | Dupin | |
1952 | Othello | Venetian senator (uncredited) | |
1952 | Wild Heart, TheThe Wild Heart | Narrator | |
1952 | Untamed Frontier | Kirk Denbow | |
1952 | Steel Trap, TheThe Steel Trap | James Osborne | |
1953 | Egypt by Three | Narrator | |
1953 | Niagara | George Loomis | |
1953 | Blueprint for Murder, AA Blueprint for Murder | Whitney Cameron | |
1954 | Light's Diamond Jubilee (TV) | Himself | Broadcast on all four U.S. TV networks |
1954 | Producers' Showcase (TV) | Grant Matthews | "State of the Union" |
1954 | General Electric Theater (TV) | Hanley | "The High Green Wall" |
1955 | Special Delivery | John Adams | |
1955 | Best of Broadway, TheThe Best of Broadway (TV) | Dan McCorn | "Broadway" |
1955 | Celebrity Playhouse (TV) | Marshal Fenton Lockhart | "Showdown at San Pablo" |
1955 | Alfred Hitchcock Presents (TV) | William Callew | "Breakdown" |
1955-1956 | Star Stage (TV) | Narrator Alexander Holmes |
"The Man in the Black Robe" "The U.S. vs. Alexander Holmes" |
1956 | Bottom of the Bottle, TheThe Bottom of the Bottle | P.M. Martin | |
1956 | Ford Television Theatre, TheThe Ford Television Theatre (TV) | John Ashburn | "Man Without a Fear" |
1956 | Killer Is Loose, TheThe Killer Is Loose | Sam Wagner | |
1956 | General Electric Theater (TV) | Captain Private Harris |
"H.M.S. Marlborough Will Enter Port" "The Enemies" |
1956-1959 | Joseph Cotten Show, TheThe Joseph Cotten Show (TV) | Various roles | |
1957 | Halliday Brand, TheThe Halliday Brand | Daniel Halliday | |
1957 | Jane Wyman Presents The Fireside Theater (TV) | Bruce Malone | "Contact" |
1957 | Telephone Time (TV) | Lt. Cmdr. Joseph P. Fyffe | "The Man the Navy Couldn't Sink" |
1957 | Playhouse 90 (TV) | Robert Rainey | "The Edge of Innocence" |
1957 | Tennessee Ernie Ford Show, TheThe Tennessee Ernie Ford Show (TV) | ||
1957 | Schlitz Playhouse (TV) | "Neighbors" | |
1958 | Zane Grey Theatre (TV) | Ben Harper | "Man Unforgiving" |
1958 | Suspicion (TV) | Gregg Carey | "The Eye of Truth" |
1958 | Alfred Hitchcock Presents (TV) | Tony Gould | "Together" |
1958 | Touch of Evil | Coroner | |
1958 | From the Earth to the Moon | Victor Barbicane | |
1959 | Westinghouse Desilu Playhouse (TV) | Black McSween | "The Day the Town Stood Up" |
1959 | Alfred Hitchcock Presents (TV) | Courtney Masterson | "Dead Weight" |
1960 | Angel Wore Red, TheThe Angel Wore Red | Hawthorne | |
1960 | DuPont Show with June Allyson, TheThe DuPont Show with June Allyson (TV) | Dick Burlingame Charles Lawrence |
"The Blue Goose" "Dark Fear" |
1960 | Checkmate (TV) | Dr. George Mallinson | "Face in the Window" |
1961 | Barbara Stanwyck Show, TheThe Barbara Stanwyck Show (TV) | Mac McClay | "The Hitch-Hiker" |
1961 | Last Sunset, TheThe Last Sunset | John Breckenridge | |
1961 | Bus Stop (TV) | Professor Wheelright | "Cherie" |
1961 | Theatre '62 (TV) | Alex Sebastian | "Notorious" |
1961 | Wagon Train (TV) | Captain Dan Brady | "The Captain Dan Brady Story" |
1962 | Dr. Kildare (TV) | Charles Ladovan | "The Administrator" |
1962 | Saints and Sinners (TV) | Preston Cooper | "The Man on the Rim" |
1961 | Wagon Train (TV) | John Augustus | "The John Augustus Story" |
1963 | Great Adventure, TheThe Great Adventure (TV) | Captain Meehan | "The Death of Sitting Bull" "The Massacre at Wounded Knee" |
1963 | 77 Sunset Strip (TV) | Arnold Buhler | "By His Own Verdict" |
1963-1964 | Hollywood and the Stars (TV) | Narrator | |
1964 | Hush... Hush, Sweet Charlotte | Dr. Drew Bayliss | |
1965 | Great Sioux Massacre, TheThe Great Sioux Massacre | Major Reno | |
1965 | Money Trap, TheThe Money Trap | Dr. Horace Van Tilden | |
1965 | Tramplers, TheThe Tramplers | Temple Cordeen | |
1966 | Oscar, TheThe Oscar | Kenneth H. Regan | |
1966 | Hellbenders, TheThe Hellbenders | Jonas | |
1967 | Brighty of the Grand Canyon | Jim Owen | |
1967 | Cimarron Strip (TV) | Nathan Tio | "The Search" |
1967 | Jack of Diamonds | Ace of Diamonds | |
1967 | Some May Live | Col. Woodward | |
1968 | Alexander the Great (TV) | Antigonus | |
1968 | Days of Fire | Destil | |
1968 | Petulia | Mr. Danner | |
1968 | Ironside (TV) | Dr. Benjamin Stern | "Split Second to an Epitaph" |
1968 | Journey to the Unknown (TV) | Jeff Wheeler | "Do Me a Favor and Kill Me" |
1968 | White Comanche | Sheriff Logan | |
1968 | It Takes a Thief (TV) | Col. Heinrich | "Hans Across the Border" |
1969 | Latitude Zero | Capt. Craig McKenzie | |
1969 | Lonely Profession, TheThe Lonely Profession (TV) | Martin Bannister | |
1969-1970 | It Takes a Thief (TV) | Mr. Jack | "To Lure a Man" "To Sing a Song of Murder" "Beyond a Reasonable Doubt" |
1970 | Cutter's Trail (TV) | General Spalding | |
1970 | Name of the Game, TheThe Name of the Game (TV) | Henry Worthington Rayner | "The King of Denmark" |
1970 | Grasshopper, TheThe Grasshopper | Richard Morgan | |
1970 | Tora! Tora! Tora! | Henry L. Stimson | |
1970 | Virginian, TheThe Virginian (TV) | Judge Will McMasters Judge Hobbs |
"A Time of Terror" "Gun Quest" |
1971 | Assault on the Wayne (TV) | Admiral | |
1971 | Do You Take This Stranger? (TV) | Dr. Robert Carson | |
1971 | City Beneath the Sea (TV) | Dr. Ziegler | |
1971 | NET Playhouse (TV) | Narrator | "Trail of Tears" |
1971 | Abominable Dr. Phibes, TheThe Abominable Dr. Phibes | Dr. Vesalius | |
1971 | Lady Frankenstein | Dr. Frankenstein | |
1972 | Screaming Woman, TheThe Screaming Woman (TV) | George Tresvant | |
1972 | Doomsday Voyage | Captain Jason | |
1972 | Baron Blood | Baron Otto von Kleist / Alfred Becker | |
1972 | Scientific Cardplayer, TheThe Scientific Cardplayer | George | |
1973 | Devil's Daughter, TheThe Devil's Daughter (TV) | Judge Weatherby | |
1973 | Streets of San Francisco, TheThe Streets of San Francisco (TV) | John R. James | "A Collection of Eagles" |
1973 | Soylent Green | William R. Simonson | |
1973 | Delicate Balance, AA Delicate Balance | Harry | |
1973 | F for Fake | Special Participant | |
1974 | Rockford Files, TheThe Rockford Files (TV) | Warner Jameson | "This Case is Closed" |
1975 | Syndicate Sadists | Paternò | |
1975 | Timber Tramps | Greedy sawmill mogul | |
1976 | Freedom Is (TV) | Voice | |
1976 | Lindbergh Kidnapping Case, TheThe Lindbergh Kidnapping Case (TV) | Dr. Condon | |
1976 | Whisper in the Dark, AA Whisper in the Dark | The Professor | |
1976 | Origins of the Mafia (TV) | The Envoy | "Gli antenati" |
1977 | Twilight's Last Gleaming | Secretary of State Arthur Renfrew | |
1977 | Airport '77 | Nicholas St. Downs III | |
1977 | Aspen (TV) | Horton Paine | |
1978 | Hardy Boys/Nancy Drew Mysteries, TheThe Hardy Boys/Nancy Drew Mysteries (TV) | Weldon Rathbone | "Arson and Old Lace" |
1978 | Last In, First Out | Foster Johnson | |
1978 | Caravans | Ambassador | |
1978 | Perfect Crime, TheThe Perfect Crime | Sir Arthur Dundee | |
1978 | Fantasy Island (TV) | Simon Grant | "Return to Fantasy Island" |
1979 | Island of the Fishmen | Prof. Ernest Marvin | |
1979 | Concorde Affair, TheThe Concorde Affair | Milland | |
1979 | Guyana: Crime of the Century | Richard Gable | |
1979 | Fantasy Island (TV) | Thomas Cummings | "The Wedding" |
1979-1980 | Tales of the Unexpected (TV) | Edward Lionel |
"Edward the Conqueror" "Depart in Peace" |
1980 | Hearse, TheThe Hearse | Walter Pritchard | |
1980 | Casino (TV) | Ed Booker | |
1980 | Heaven's Gate | The Reverend Doctor | |
1980 | Delusion | Ivar Langrock | |
1981 | Churchill and the Generals (TV) | General George Marshall | |
1981 | Love Boat, TheThe Love Boat (TV) | Col. van Ryker | "The Duel" Two for Julie" "Aunt Hilly" |
1981 | Survivor, TheThe Survivor | Priest |