Born: October 13, 1921
Died: November 9, 1991 (at age 70)
Birthplace: Monsummano Terme, Italy
Yves Montand (born Ivo Livi; 13 October 1921 - 9 November 1991) was an Italian-French actor and singer.
Montand was born Ivo Livi in Monsummano Terme, Italy, to Giuseppina (née Simoni) and Giovanni Livi, a Jewish broom manufacturer. Giuseppina was a devout Catholic, while Giovanni held strong Communist beliefs. Montand's family left for France in 1923 because of Italy's Fascist regime. He grew up in Marseille, where, as a young man, he worked in his sister's beauty salon (Salon de Coiffure), and later on the docks. He began a career in show business as a music-hall singer. In 1944, he was discovered by Édith Piaf in Paris and she made him part of her act.
Montand went on to international recognition as a singer and actor, starring in numerous films. His recognizably crooner songs, especially those about Paris, became instant classics. He was one of the most famous performers at Bruno Coquatrix's famous Paris Olympia music hall, and toured with musicians including Didi Duprat. In October 1947, he sang Mais qu’est-ce que j’ai ? (music by Henri Betti and lyrics by Édith Piaf) at the Théâtre de l'Étoile. The composer of this song had him offer also sing C'est si bon he had written but Yves Montand refused. Following the success of the recording of this song by the Sœurs Étienne in 1948, he decided to record it.
During his career, Montand acted in a number of American motion pictures as well as on Broadway. He was nominated for a César Award for "Best Actor" in 1980 for I comme Icare and again in 1984 for Garçon! In 1986, after his international box-office draw power had fallen off considerably, the 65-year-old Montand gave one of his most memorable performances, as the scheming uncle in the two-part film: Jean de Florette, co-starring Gérard Depardieu, and Manon des Sources, co-starring Emmanuelle Béart. The film was a worldwide critical hit and raised Montand's profile in the US, where he made an appearance on Late Night with David Letterman.
In 1951, he married Simone Signoret, and they co-starred in several films throughout their careers. The marriage was, by all accounts, fairly harmonious, lasting until her death in 1985, although Montand had a number of well-publicized affairs, notably with Marilyn Monroe, with whom he starred in one of her last films, Let's Make Love.
Montand's only child, Valentin, his son by his second wife, Carole Amiel, was born in 1988. In a paternity suit that rocked France, another woman accused Montand of being the father of her daughter and went to court to obtain a DNA sample from him. Montand refused, but the woman persisted after his death. In a court ruling that made international headlines, the woman won the right to have Montand exhumed and a sample taken. The results indicated that he was probably not the girl's biological father.
Signoret and Montand had a home in Autheuil-Authouillet, Normandy, where the main village street is named after him,
In his later years he maintained a home in St Paul de Vence, Provence until his death from a heart attack. In an interview, Jean-Jacques Beineix said, "e died on the set ... On the very last day, after his very last shot. It was the very last night and we were doing retakes. He finished what he was doing and then he just died. And the film tells the story of an old man who dies from a heart attack, which is the same thing that happened!" Montand is interred next to his first wife, Simone Signoret, in Père Lachaise Cemetery in Paris.
In 2004, Catherine Allegret, the daughter of Montand's first wife Simone Signoret, told in her biography "Un Monde a L'envers" (A World Upside Down), that she had been sexually abused by her stepfather since the age of 5 and that he assaulted her well into adulthood.
Year | Title | Role | Director |
---|---|---|---|
1946 | Star Without Light | Pierre | Marcel Blistène |
Gates of the Night | Diego | Marcel Carné | |
1948 | L'idole | Fontana | Alexander Esway |
1950 | Souvenirs perdus (fr) | Raoul | Christian-Jaque |
1951 | Paris Is Always Paris | cameo appearance | Luciano Emmer |
1953 | Le salaire de la peur | Mario | Henri-Georges Clouzot |
1954 | Tempi Nostri | Vasco | Alessandro Blasetti and Paul Paviot |
1955 | Heroes and Sinners | Michel Rivière | Yves Ciampi |
Napoléon | François Joseph Lefebvre | Sacha Guitry | |
Marguerite de la nuit | Monsieur Léon | Claude Autant-Lara | |
1956 | The Wolves | Ricuccio | Giuseppe De Santis |
1957 | Les Sorcières de Salem | John Proctor | Raymond Rouleau |
La grande strada azzurra | Squarciò | Gillo Pontecorvo | |
1958 | Premier mai (fr) | Jean Meunier | Luis Saslavsky |
1959 | Legge, La | Matteo Brigante | Jules Dassin |
1960 | Let's Make Love | Clement/Dumas | George Cukor |
1961 | Sanctuary | the candy man | Tony Richardson |
Goodbye Again | Roger Demarest | Anatole Litvak | |
1962 | My Geisha | Paul Robaix | Jack Cardiff |
1963 | Le Joli Mai | the narrator | Chris Marker |
1965 | Compartiment tueurs | Inspector Grazziani | Costa-Gavras |
1966 | La guerre est finie | Diego Mora | Alain Resnais |
Is Paris Burning? | Marcel Bizien | René Clément | |
Grand Prix | Jean- Pierre Sarti | John Frankenheimer | |
1967 | Vivre pour vivre | Robert Colomb | Claude Lelouch |
1968 | Un soir, un train (fr) | Mathias | André Delvaux |
1969 | Mr. Freedom | cameo appearance as Captain Formidable | William Klein |
Z | Grigoris Lambrakis | Costa-Gavras | |
Le Diable par la queue (fr) | Baron César Maricorne | Philippe de Broca | |
1970 | On a Clear Day You Can See Forever | Marc Chabot | Vincente Minnelli |
Le Cercle Rouge | Jansen | Jean-Pierre Melville | |
L'Aveu | Gérard | Costa-Gavras | |
Kelly's Heroes | German Sturmbannführer (uncredited) | Brian G. Hutton | |
1971 | La folie des grandeurs | Blaze | Gérard Oury |
1972 | Tout va bien | as himself | Jean-Luc Godard and Jean-Pierre Gorin |
César et Rosalie | César | Claude Sautet | |
État de Siège | Philip Michael Santore | Costa-Gavras | |
1973 | Le Fils (fr) | Ange Orahona | Pierre Granier-Deferre |
1974 | Chance and Violence | Laurent Bermann | Philippe Labro |
Vincent, François, Paul...et les autres | Vincent | Claude Sautet | |
1975 | Le Sauvage | Martin | Jean-Paul Rappeneau |
1976 | Police Python 357 | Marc Ferrot | Alain Corneau |
Le Grand Escogriffe | Morland | Claude Pinoteau | |
1977 | La Menace | Henri Savin | Alain Corneau |
Le fond de l'air est rouge | narrator | Chris Marker | |
1978 | Roads to the South | Jean Larrea | Joseph Losey |
1979 | Clair de femme (fr) | Michel | Costa-Gavras |
I as in Icarus | Michel | Henri Verneuil | |
1981 | Le Choix des armes (fr) | Noël Durieux | Alain Corneau |
1982 | Tout feu, tout flamme (fr) | Victor Valance | Jean-Paul Rappeneau |
1983 | Garçon! | Alex | Claude Sautet |
1986 | Jean de Florette | César Soubeyran | Claude Berri |
Manon des Sources | |||
1988 | Trois places pour le 26 (fr) | as himself | Jacques Demy |
1991 | Netchaïev est de retour (fr) | Pierre Marroux | Jacques Deray |
1992 | IP5: L'île aux pachydermes (fr) | Léon Marcel | Jean-Jacques Beineix |