Born: June 19, 1932
Died: September 10, 1971 (at age 39)
Birthplace: Cagliari, Sardinia, Italy
Pier Angeli (19 June 1932 - 10 September 1971) was an Italian-born television and film actress. Her American cinematographic debut was in the starring role of the 1951 film Teresa, for which she won a Golden Globe Award for Young Star of the Year - Actress. Twenty years later it was rumored she was chosen to play a part in The Godfather. Filming for The Godfather began on 24 March 1971, six months before her death. When she didn't get the part, she began working on the low-budget film Octaman.
She had romantic relationships with actors Kirk Douglas and James Dean before going on to marry Vic Damone.
Born Anna Maria Pierangeli in Cagliari, Sardinia, Italy. Her twin sister is the actress Marisa Pavan. Angeli made her film debut with Vittorio De Sica in Domani è troppo tardi (1950), after being spotted by director Léonide Moguy and De Sica. She was discovered by Hollywood, and MGM launched her in her first American film, Teresa (1951). Directed by Fred Zinnemann, this film also saw the joint debuts of Rod Steiger and John Ericson. Reviews for her performance in the film compared her to Greta Garbo, and she won the Golden Globe Award for New Star Of The Year - Actress. Under contract with MGM throughout the 1950s, she appeared in a series of films, including The Light Touch with Stewart Granger. Plans for a film of Romeo and Juliet with her and Marlon Brando fell through when a British-Italian production was announced.
Her next few films were respectable but unexciting: The Story of Three Loves (1953) with Kirk Douglas; Sombrero, in which she replaced an indisposed Ava Gardner; and Flame and the Flesh (1954), in which she lost her man to Lana Turner. After discovering Leslie Caron, another continental ingénue, MGM lent Angeli out to other studios. She went to Warner Bros. for The Silver Chalice, which marked the debut of Paul Newman, and she made Mam'zelle Nitouche with the French comic actor Fernandel. For Paramount, she was in contention for the role of Anna Magnani's daughter in The Rose Tattoo, but the role went to her twin sister, Marisa Pavan, who was nominated for an Academy Award for Best Supporting Actress for the role. Angeli was lent out again, to Columbia, for Port Afrique (1956). She returned to MGM for Somebody Up There Likes Me as Paul Newman's long-suffering wife (James Dean had originally been expected to play the starring role, which went to Newman after Dean's death). She then appeared in The Vintage (1957) with Mel Ferrer and John Kerr, and finished her contract in Merry Andrew, starring Danny Kaye. She appeared with Vic Damone as a guest on the June 17, 1956 episode of What's My Line?.
During the 1960s and until 1970, Angeli returned to live and work in Britain and Europe. She gave an outstanding performance opposite Richard Attenborough in The Angry Silence (1960), and was nominated for a Best Actress BAFTA; and was reunited with Stewart Granger for Sodom and Gomorrah (1963), in which she played Lot's wife. She had a brief role in the war epic Battle of the Bulge (1965). 1968 found Angeli in Israel, top billed in Every Bastard a King, about events during that nation's recent war. It was rumored that she was cast in The Godfather.
According to Kirk Douglas' autobiography, he and Angeli were engaged in the 1950s after meeting on the set of the film The Story of Three Loves (1953).
For a short time, Angeli also had a romantic relationship with James Dean; however, she broke off the relationship and went on to marry singer and actor Vic Damone (1954-1958). Her marriage to Damone ended in divorce, followed by highly publicized court battles for the custody of their one son, Perry Farinola Damone. Her second marriage (1962-1969) was to Italian composer Armando Trovaioli, with whom she had another son, Andrew.
At the age of 39, Angeli was found dead of an accidental barbiturate overdose in her home at 355 S. McCarty Drive, Beverly Hills. She is interred in the Cimetière des Bulvis, in Rueil-Malmaison, Hauts-de-Seine, France.
She was later portrayed by Valentina Cervi in the 2001 TV movie James Dean, which depicted her relationship with Dean. In 2015, she was also portrayed by Alessandra Mastronardi in the James Dean biopic, Life.
Year | Title | Role | Notes |
---|---|---|---|
1950 | Domani è troppo tardi | Mirella | English title: Tomorrow Is Too Late |
1951 | Domani è un altro giorno | Luisa | |
1951 | Teresa | Teresa Russo | |
1952 | The Light Touch | Anna Vasarri | |
1952 | Devil Makes Three, TheThe Devil Makes Three | Wilhelmina (Willie) Lehrt | |
1952 | Million Dollar Nickel, TheThe Million Dollar Nickel | Herself | Short subject |
1953 | Story of Three Loves, TheThe Story of Three Loves | Nina Burkhardt | Segment: "Equilibrium" |
1953 | Sombrero | Eufemia Calderon | |
1954 | Mam'zelle Nitouche | Denise de Flavigny/Nitouche | Alternative titles: Oh No, Mam'zelle Santarellina |
1954 | Flame and the Flesh | Lisa | |
1954 | Silver Chalice, TheThe Silver Chalice | Deborra | |
1956 | Meet Me in Las Vegas | Cameo | Uncredited |
1956 | Port Afrique | Ynez | |
1956 | Somebody Up There Likes Me | Norma | |
1957 | Vintage, TheThe Vintage | Lucienne | |
1957 | Midnight Story, TheThe Midnight Story | ||
1958 | Merry Andrew | Selena Gallini | |
1959 | SOS Pacific | Teresa | Alternative title: S.O.S. Pacific |
1960 | I moschettieri del mare | Consuelo/Gracia | English title: Musketeers of the Sea |
1960 | Angry Silence, TheThe Angry Silence | Anna Curtis | |
1960 | Estoril y sus fiestas | Herself | Short subject |
1961 | L'ammutinamento | Polly | English title: White Slave Ship Credited as Anna Maria Pierangeli |
1962 | Last Days of Sodom and Gomorrah, TheThe Last Days of Sodom and Gomorrah | Ildith | Credited as Anna Maria Pierangeli |
1964 | Banco à Bangkok pour OSS 117 | Lila | English titles: Panic in Bangkok Shadow of Evil |
1965 | Missione mortale Molo 83 | Hélène Blanchard | English title: M.M.M. 83 |
1965 | Berlino - Appuntamento per le spie | Paula Krauss | English title: Berlin, Appointment for the Spies |
1965 | Battle of the Bulge | Louise | |
1966 | Per mille dollari al giorno | Betty Benson | English title: For One Thousand Dollars Per Day Credited as Annamaria Pierangeli |
1968 | Rose rosse per il führer (it) | Marie | English title: Red Roses for the Führer Credited as Anna Maria Pierangeli |
1968 | Caccia ai violenti | Mrs. Benton | English title: One Step to Hell |
1968 | Kol Mamzer Melech | Eileen | English title: Every Bastard a King |
1969 | Cry Chicago | Bambi | Credited as Anna Maria Pierangeli |
1969 | Addio, Alexandra | Alexandra | Alternative title: Love Me, Love My Wife Credited as Anna Maria Pierangeli |
1970 | Nelle pieghe della carne | Falesse/Ester | English title: In the Folds of the Flesh Credited as Anna Maria Pierangeli |
1970 | Quell'amore particolare | Cecilia | Credited as Anna Maria Pierangeli |
1971 | Octaman | Susan Lowry |
Year | Title | Role | Notes |
---|---|---|---|
1958 | Westinghouse Desilu Playhouse | Bernadette Soubirous | 1 episode |
Year | Award | Category | Title of work | Result |
---|---|---|---|---|
1951 | Italian National Syndicate of Film Journalists | Best Actress (Migliore Attrice) | Domani è troppo tardi | Won |
1952 | Golden Globe Award | Most Promising Newcomer - Female | Teresa | Won |
1955 | Golden Globe Award | World Film Favorite - Female | Nominated | |
1961 | BAFTA Awards | Best Foreign Actress | Angry Silence, TheThe Angry Silence | Nominated |