History

Formation and early years (2004-05)

Panic! at the Disco was formed in 2004 in the suburban area of Summerlin, Las Vegas, by childhood friends Ryan Ross, who sang and played guitar, and Spencer Smith, who played drums. They both attended Bishop Gorman High School, and they began playing music together in ninth grade. They invited friend Brent Wilson from nearby Palo Verde High School to join on bass, and Wilson invited classmate Brendon Urie to try out on guitar. The quartet soon began rehearsing in Smith's grandmother's living room. Urie grew up in a Mormon family in Las Vegas and early on skipped rehearsals to go to church. Ross initially was the lead vocalist for the group, but after hearing Urie sing back-up during rehearsals, the group decided to make him the lead. Initially, Panic! at the Disco was just a blink-182 cover band.

In the group's early experimental demos the band created a sound that was different from the many death-metal groups that were performing in Las Vegas at the time. The band signed a recording contract without having performed a live show. "We never went out and played shows before we got signed because the music scene in Las Vegas is so bad. There's not a lot going on," Smith said. "In our practice space, there were something like 30 bands, and every day we'd walk into that room and hear the exact same death-metal bands. So it kind of influenced us to be different. And to get out of Las Vegas." Urie began working at Tropical Smoothie Cafe in Summerlin to afford rent for the band's new practice space. The four left their educations behind to concentrate on music; Ross had a falling out with his father when he dropped out of college, and when Brendon Urie dropped out of high school his parents kicked him out of the house. He stayed with friends until he could afford to rent an apartment.

Ross and Urie soon began to commit to their laptops the demos they had been developing, and posted three early demos ("Time to Dance," "Nails for Breakfast, Tacks for Snacks" and "Camisado") on PureVolume. On a whim, they sent a link to Fall Out Boy bassist Pete Wentz via a LiveJournal account. Wentz, who was in Los Angeles at the time with the rest of Fall Out Boy working on the band's major-label debut, From Under the Cork Tree, drove down to Las Vegas to meet with the young, unsigned band. Upon hearing "two to three" songs during band practice, Wentz was impressed and immediately wanted the band to sign to his Fueled by Ramen imprint label Decaydance Records, which made the band the first on the new label. Around December 2004, the group signed to the label. As news broke that Wentz had signed Panic! (who had yet to perform a single live show), fans on the Internet began to bash the group. "Almost right away we knew what was going to happen," Ross explained in a 2006 interview. "We had two songs online and people were already making assumptions on what kind of band we were and what we were going to sound like."

Meanwhile, Wentz began to hype the band wherever possible: from wearing "Pete! at the Disco" T-shirts onstage to mentioning the group in interviews. Wentz gave a quick shout-out to the band during a press junket on the day before the 2005 MTV Video Music Awards: "I've got a couple of bands coming out soon on Decaydance, one being this band called Panic! at the Disco," Wentz said. "Their record is going to be your next favorite record. It's called A Fever You Can't Sweat Out - get it before your little brother does." At the time of the band's signing, all of the band members were still in high school (with the exception of Ross, who was forced to quit UNLV). Urie graduated in May 2005 and Wilson and Smith finished school online as the band left for College Park, Maryland to record their debut record.

A Fever You Can't Sweat Out (2005-07)

Main article: A Fever You Can't Sweat Out

The band relocated to College Park, Maryland, to record its debut album from June to September 2005. Although they only had shells of songs when they arrived, the rest of the album shaped up fast through the marathon session. "We didn't have a day off in the five-and-a-half weeks we were there, 12 or 14 hours a day," Ross said in a 2005 interview. "We were making things up in our heads that weren't there, and on top of the stress of trying to finish the record, we were living in a one-bedroom apartment with four people on bunk beds," recalled Ross. "Everyone got on everybody's nerves. Someone would write a new part for a song and someone else would say they didn't like it just because you ate their cereal that morning."

The album is split into two halves: the first half is mostly electronic dance punk, while the second half features Vaudevillian piano, strings, and accordion. The band grew tired of writing only with drum machines and keyboards and, inspired by film scores (specifically the works of Danny Elfman and Jon Brion) decided to write a completely different half. "By the end of that, we were completely exhausted," said Ross of the studio sessions. After its completion, "we had two weeks to come home and learn how to be a band," Ross said. The group played its first live show during the summer of 2005 at local Las Vegas music venue The Alley on West Charleston. Afterwards, the band toured nationally on the Nintendo Fusion Tour with mentors Fall Out Boy, as well as Motion City Soundtrack, the Starting Line, and Boys Night Out for the rest of 2005.

The band's debut album, A Fever You Can't Sweat Out, was released September 27, 2005. Sales began relatively slow. It debuted at No. 112 on the Billboard 200 album chart, No. 6 on the Billboard Independent Albums chart, and No. 1 on the Billboard Top Heatseekers chart, with nearly 10,000 albums sold in the first week of release. Within a span of four months, Panic! would see the video for its first single, "I Write Sins Not Tragedies", rocket up the Billboard Hot 100 as sales of Fever passed the 500,000 mark. At the end of March 2006, the band announced a headlining tour. By August, the group's debut record was certified platinum by the Recording Industry Association of America (RIAA), and the music video for "I Write Sins Not Tragedies" won Video of the Year at the 2006 MTV Video Music Awards. "Some aspects of the fame are annoying, but at the end of the day it's something we're most grateful for. It's certainly opened the door to a whole new batch of opportunities," Ross said of the band's newfound fame and instant success.

In May 2006, Panic! at the Disco announced that original bassist Brent Wilson had left the band, "posting a statement that was both diplomatic and entirely inscrutable yet to mention any reason why Wilson is leaving Panic," according to MTV News. In June, Wilson asserted to MTV News that he was kicked out of the band via a phone call. "It was done as a phone call and the only person who spoke was Spencer. Apparently Brendon and Ryan were on the speakerphone too, but they didn't say a word. They never even said they were sorry," explained Wilson. Smith wrote a lengthy e-mail back to James Montgomery of MTV News, stating, in part, "We made the decision based on Brent's lack of responsibility and the fact that he wasn't progressing musically with the band," and revealed that Wilson did not write nor play any bass present on Fever: Instead, Urie recorded these parts. Wilson demanded a cut in royalties, and threatened to take his former band to court.

In 2006, the band supported The Academy Is... on the band's worldwide tour "Ambitious Ones and Smoking Guns" from January to May. Beginning in June, the group headlined its first unnamed national tour, that would last until August. During the group's performance at the 2006 Reading Festival in August, the band was greeted by excessive bottling, one of which hit Urie in the face that knocked him unconscious. Despite this, the band continued with its set after Urie recovered. The band's second headlining tour, dubbed the Nothing Rhymes with Circus Tour, began in November. In roughly one year, Panic! at the Disco went from being the opening act on a five-band bill to the headliners on a massive arena tour.

The Nothing Rhymes with Circus Tour debuted the band's highly theatrical and notable live show, which featured every song with dance numbers, skits and tricks performed by a six-member troupe, as the band donned intricate costumes, loosely re-enacting moments from the songs. Kelefa Sanneh of The New York Times noted the sudden success and circus-inspired tour of the young band in a concert review: "There’s something charming about watching a band trying to navigate sudden success, aided by a contortionist, a ribbon dancer and all the rest of it." MTV News favorably likened its theme and wardrobe to "Janet Jackson's audience-dividing, hypersexual The Velvet Rope Tour." The group, fresh off the major success of A Fever You Can't Sweat Out, took a break after non-stop touring, and the group members began formulating ideas for their next record together during the winter of 2006.

Pretty. Odd. and ...Live in Chicago (2007-08)

Main articles: Pretty. Odd. and ...Live in Chicago

After a short period of development regarding the ideas of the album, on March 6, 2007 the band arrived at a cabin in the rural mountains of Mount Charleston, Nevada and began the writing process for the new album. After recording the new tracks and performing them live over the summer, the band returned to its native Las Vegas as well as the group's old rehearsal studio, where the band members wrote their debut record. The band grew uninterested in the songs previously written and by August scrapped the entire new album (which Ross later revealed was "three-quarters" done) and started over. "We wanted to approach these songs in the most basic form," Ross said. "We wrote them all on one acoustic guitar and with someone singing. I think that we kind of skipped that part of songwriting on the first record, and this time we're sort of paying attention to that. We've written a bunch of songs since we've been home . I think it's the most fun and the happiest we've been since we started." With simplicity the new focus and the old album shelved, the group settled in and began recording what would become Pretty. Odd. In October, the band entered the Studio at the Palms at the Palms Casino Resort in Las Vegas to begin recording the album.

In January 2008, the band unveiled a new logo and dropped the exclamation point from the group's name, becoming Panic at the Disco. Released on March 21, 2008, Pretty. Odd. was described by the band as "more organic and mellower" than A Fever You Can't Sweat Out, as well as unintentionally and coincidentally similar to music of the Beatles, in both songwriting and scope. The record debuted at number two on the US Billboard 200 chart, with first-day sales of 54,000, and first-week sales of 139,000 copies in the United States. Those figures marked the band's biggest sales week to that date, beating a previous record held by A Fever You Can't Sweat Out (which sold 45,000 during the winter of 2006). The record also debuted at "Current Alternative Albums" chart and No. 2 on the "Digital Albums" chart, the latter of which accounted for 26 percent of the disc's overall sales. The album charted high in various other countries and was eventually certified gold in the United Kingdom, however, Pretty. Odd. received relatively disappointing sales in the face of its predecessor. Pretty. Odd. was, however, critically acclaimed in contrast to Fever: Barry Walters of Spin called Panic's debut album "embarrassing" while regarding the new record as " to be optimistically beautiful at a time when sadness and ugliness might have won them easier credibility."

The band announced plans to headline the 2008 Honda Civic Tour in January 2008, which took up the majority of early touring for the album. Motion City Soundtrack, the Hush Sound and Phantom Planet opened for the tour, which performed across North America from April 10 to July 14, 2008 . Throughout October and November 2008, the band toured with Dashboard Confessional and the Cab on the Rock Band Live Tour promoting the video game Rock Band 2.

As expected and predicted by several music publications, the band adopted a very different style for the touring in support of Pretty. Odd., in contrast to the dark, circus-themed elements of the band's previous stage shows. Each show contained "woodsy set pieces, projections of flora and fauna, and mic stands wrapped in lights and flowers," and each band member dressed in a vest. While reflecting on the theatrical nature of A Fever You Can't Sweat Out touring, Urie commented "We did it and it was a lot of fun when we did it, but this time around I think we wanted to get back to a more intimate, personal setting, and scale it down a little bit." Ryan Ross explained that "It's more about connecting with the audience and seeing what's gonna happen every night. It's not as scripted out and pre-planned. It makes it more exciting for us, and less monotonous every night." A live album, ...Live in Chicago, based on live recordings from Chicago during the Honda Civic Tour, was released December 2, 2008. An accompanying DVD contains photos from the tour, each music video from the album as well as behind-the-scenes footage of the videos and the tour, the short film Panic! at the Disco In: American Valley, and the documentary feature based on the tour, All In A Day's.

Pretty. Odd.'s touring was also defined by a larger effort to remain environmentally conscious. On the tour, the band worked with two non-profit eco organizations: Reverb, which facilitates environmentally friendly touring; and Global Inheritance, which seeks to inspire more eco-activism. In a 2008 interview, Ross revealed that the band traveling on a biodiesel bus, to re-using plastics, and recycling more backstage. The band went as far as to print tour booklets on recycled paper, with soy ink, and organize an "eco-contest," in which profits from the tour went straight to environmental organizations.

Lineup change and Vices & Virtues (2009-11)

Main articles: Vices & Virtues and The Young Veins

In spring 2009, the band began recording material for its third studio album. However, on July 6, 2009, Ryan Ross and Jon Walker announced via the band's official website that the two were leaving the band. In an interview following the split, Ross explained that he first brought the idea to Smith in late June 2009 over lunch: "Spencer and I had lunch and caught up for a while, and then the big question came up, like, 'Well, what do you want to do?' and I said, 'Well, I think it might be best if we kind of do our own thing for a while,' and he said, 'I'm glad you said that, because I was going to say the same thing,'" Ross recalled. "And there was really no argument, which is really the best way that could've worked out." Ross said the split was largely due to creative differences between him and Urie. Urie wanted the band to explore a more polished pop sound, while Ross - and, by extension, Walker - was interested in making retro-inspired rock.

The news asserted that both tour plans with blink-182 in August 2009 and new album production "will continue as previously announced." The following day, Alternative Press broke the news that "New Perspective", the first song recorded without Ross and Walker, would debut the following month on radio and as a part of the soundtrack to the film Jennifer's Body. On July 10, 2009, Alternative Press also reported that the band had regained the exclamation point, becoming, once again, Panic! at the Disco. "New Perspective" was released on July 28, 2009. Former guitarist of pop rock band The Cab, Ian Crawford and Dallon Weekes, frontman of indie rock band The Brobecks, filled in for Ross and Walker on tour during the blink-182 Summer Tour in August 2009.

The band re-entered the studio during early 2010 and spent much of the year recording the group's third studio album. During this time, touring bassist Dallon Weekes joined the band's official lineup along with Urie and Smith, making the band a three-piece. Although Weekes did not perform on the upcoming album, he was responsible for the conceptualization of the cover art of the album and was also featured on the album cover, masked and standing in the background behind Smith and Urie. On January 18, 2011, the band revealed that an album titled Vices & Virtues would officially be released on March 22, 2011. The album was produced by Butch Walker and John Feldmann. The record's first single, "The Ballad of Mona Lisa", was released digitally on February 1, 2011, with the music video being released February 8, 2011. Vices & Virtues was officially released March 22, 2011 to relatively positive critical reviews.

The band began touring in support of the album, christened the Vices & Virtues Tour, in earnest beginning in February 2011. The tour has sported the same electric, over-the-top theatricality the band was known for during the Fever era. "I really miss wearing costumes and makeup," Urie told Spin. "I love throwing a big production. I've recently been reading about Tesla coils and I'm trying to figure out how I can get one that sits on the stage and shoots sparks without hurting anybody." The group was scheduled to play the Australian Soundwave Revolution festival in September/October but the festival was cancelled and in its place is the Counter-Revolution mini-festival the band will play.

On May 12, 2011, the band collaborated with indie pop band Fun. and the two groups embarked on an American tour, releasing a single together titled "C'mon". Panic! at the Disco contributed a new song "Mercenary" to the soundtrack for the video game Batman: Arkham City.

In 2011, Panic! at the Disco played a month-long fall US tour with supporting acts Patrick Stump and Foxy Shazam at club and theatre venues. In January-February 2012, the band played a sold-out, 8-date UK tour with support from Australian newcomers ME, during which the members of the group announced that they were working on a fourth album.

Too Weird to Live, Too Rare to Die! (2012-14)

Main article: Too Weird to Live, Too Rare to Die!

Since the last tour cycle, Urie, Smith, and Weekes have been in the studio writing and preparing for a fourth album. During the recording of the album, touring guitarist Ian Crawford, who joined the band in 2009 after the departure of Ryan Ross and Jon Walker, left the band citing his desire to make "real, genuine" music. On July 15, 2013, the album was announced as Too Weird to Live, Too Rare to Die!, with a scheduled release date of October 8, 2013. The first single, "Miss Jackson", was released on July 15, 2013, along with its music video to promote the album. Panic! at the Disco opened for Fall Out Boy on the Save Rock And Roll Arena Tour.

Shortly before the band began its first tour in support of the album, Spencer Smith wrote an open letter to fans regarding his abuse of alcohol and prescription medications since the recording of Pretty. Odd. Although Smith joined the band for the first handful of dates, he left the tour to "continue fighting addiction." Urie posted on the band's official website on August 7, 2013 that "It's become evident that Spencer still needs more time to take care of himself. I can't expect him to be fighting addiction one minute and be fully immersed in a national tour the next. With that said, the tour will continue without Spencer while he is away getting the help he needs." Since Spencer's leave of absence, Dan Pawlovich of the band Valencia has filled in on tour. When the band went on tour, the group added lead guitarist Kenneth "Kenny" Harris although he did not contribute to the group's latest album.

Departure of Spencer Smith and Death of a Bachelor (2015-present)

Main article: Death of a Bachelor

In an interview with Pure Fresh on September 23, 2014, Brendon Urie stated that he had already thought about ideas on the fifth studio album; however, he was not sure if it would be a Panic! at the Disco album, or a solo album. It was revealed in an interview with Kerrang! that he was working on new material for the band's fifth studio album.

On April 2, 2015 Spencer Smith announced that he had officially left the band. Urie has also stated there are no current plans for Smith to return to the band.

On April 20, 2015, Urie released a single titled "Hallelujah" without any previous formal announcements. It debuted on the Billboard Hot 100 at No. 40, the band's second highest ever after "I Write Sins Not Tragedies". The band performed at the Weenie Roast on May 16, 2015. On September 1, 2015, another song from the fifth studio album, "Death of a Bachelor", premiered on an Apple Music broadcast hosted by Pete Wentz. The second single, "Victorious" was released at the end of the month. On October 22, 2015, through the band's official Facebook page, Urie announced the new album as Death of a Bachelor with a scheduled release date of January 15, 2016. It is the first album written and composed by Brendon Urie and his team of writers, as the status of bassist Dallon Weekes has changed from an official member to that of a touring member once again. Weekes' status was rumored during the promotion of Death of a Bachelor that he was no longer an official member, until it was confirmed by Weekes himself on October 24, 2015 via Twitter that he was "not contributing creatively anymore". The third single "Emperor's New Clothes" was released on the same day, along with the official music video. "LA Devotee" was released November 26 as the album's fourth single. On December 31, 2015, the band released "Don't Threaten Me with a Good Time".

The band is scheduled to co-headline the Weezer & Panic! at the Disco Summer Tour 2016 with Weezer in 2016.

Musical style

Music critics named a number of different genres to describe Panic! at the Disco's music, including emo, pop punk, electro, vaudeville, and baroque pop. A Fever You Can't Sweat Out has been described as baroque pop, electropunk and pop punk. Pretty. Odd. has been described as baroque pop and psychedelic pop. Vices & Virtues has been described as alternative rock, baroque pop, electropunk and pop rock. Too Weird to Live, Too Rare to Die! has been described as dance-pop, electropop, emo, hip hop, indie rock, pop, rock and synthpop Death of a Bachelor has been described as hip hop, pop, and rock.

Panic! at the Disco went on record many times saying that the group's second album would be completely different from A Fever You Can't Sweat Out, as Rolling Stone wrote in an article: "The group cemented its next direction with their first single, called "Nine in the Afternoon". "It's influenced by the music our parents listened to: the Beach Boys, the Kinks, the Beatles," says Ross. "Our new songs are more like classic rock than modern rock. We got older and started listening to different music - and this seems like the natural thing to do right now." Pretty. Odd. has been described as being like " dropping the entire Beatles catalog into a blender, adding some modern alternative ice and the horn section from Sonia Dada, then churning out a new-millennium Liverpool smoothie." In his review of the band's live album, Stephen Thomas Erlewine noted, "...Pretty. Odd. suggests that they're becoming that rare thing in 2008: a pop-oriented rock band. They might not be doing this knowingly, but the results are entertaining all the same."

On Vices & Virtues, the band's musical sensibilities returned to the theatrical pop rock of the group's debut, albeit more mature and restrained in the style of Pretty. Odd. Urie has stated that this was not the band's intention, saying that Virtues is a rebirth for the band and indicative of a new identity following the departures of Ross and Walker. The group's fourth album Too Weird to Live, Too Rare to Die! made way for the band to experiment with electronic music and synthpop.

Members

Main article: List of Panic! at the Disco band members

Current Brendon Urie - lead vocals, guitar, keyboards ; bass guitar ; drums, percussion Former Ryan Ross - lead guitar, vocals, keyboards ; lead vocals Spencer Smith - drums, percussion Brent Wilson - bass guitar Jon Walker - bass guitar, keyboards, guitar, backing vocals

Current touring musicians Dallon Weekes - bass guitar, vocals, keyboards, guitar Kenneth Harris - lead guitar, backing vocals Dan Pawlovich - drums, percussion Former touring musicians Bartram Nason - cello, keyboards, electronic drums, percussion Eric Ronick - keyboards, backing vocals, percussion Ian Crawford - lead guitar, floor tom, backing vocals

Discography

Main article: Panic! at the Disco discography

• A Fever You Can't Sweat Out (2005)
• Pretty. Odd. (2008)
• Vices & Virtues (2011)
• Too Weird to Live, Too Rare to Die! (2013)
• Death of a Bachelor (2016)

Awards and nominations

A list of Panic! at the Disco's awards and nominations.

Year	Recipient/Nominated work	Award	Result
2006	"I Write Sins Not Tragedies"	MTV Video Music Awards - Video of the Year	Won
	"I Write Sins Not Tragedies"	MTV Video Music Awards - Best Group Video	Nominated
	"I Write Sins Not Tragedies"	MTV Video Music Awards - Best Rock Video	Nominated
	"I Write Sins Not Tragedies"	MTV Video Music Awards - Best New Artist in a Video	Nominated
	"I Write Sins Not Tragedies"	MTV Video Music Awards - Best Art Direction in a Video	Nominated
	"I Write Sins Not Tragedies"	Teen Choice Awards - Rock Track	Nominated
	"I Write Sins Not Tragedies"	TMF Awards - Best Video International	Won
2007	Panic! at the Disco	Los Premios MTV Latinoamérica - Best International Rock Group	Nominated
	Panic! at the Disco	Kerrang! Awards - Best International Band	Nominated
2008	"Nine in the Afternoon"	MTV Video Music Awards - Best Direction	Nominated
	"Nine in the Afternoon"	MTV Video Music Awards - Best Pop Video	Nominated
	Panic! at the Disco	Los Premios MTV Latinoamérica - Best International Rock Group	Nominated
	Panic! at the Disco	MTV Asia Awards - The Style Award	Won
	"Nine in the Afternoon"	Teen Choice Awards - Rock Track	Nominated
	A Fever You Can't Sweat Out	Grammy Awards - Best Boxed/Special Limited Edition	Nominated
2011	"The Ballad of Mona Lisa"	Kerrang! Awards - Best Single	Nominated
2014	Brendon Urie	Alternative Press Music Awards - Best Vocalist	Won
	Panic! at the Disco	Alternative Press Music Awards - Artist of the Year	Nominated
2015	Dallon Weekes	Alternative Press Music Awards - Best Bassist	Nominated
	Panic! at the Disco	Alternative Press Music Awards - Best Live Band	Nominated
	Panic! at the Disco	Alternative Press Music Awards - Fandom of the Year	Nominated
	"Emperor's New Clothes"	Rock Sound Readers Poll - Video of the Year	Won
2016	"Emperor's New Clothes"	Alternative Press Music Awards - Best Music Video	Pending
	"Hallelujah"	Alternative Press Music Awards - Song of the Year	Pending
	Panic! at the Disco	Alternative Press Music Awards - Artist of the Year	Pending

[ Source: Wikipedia ]