Early life and education

Mira Nair was born on October 15, 1957 in Rourkela, Odisha, and grew up with her two older brothers and parents in Bhubaneshwar, Odisha. Along with the rest of her family, Nair is Punjabi, and is from one of the most prosperous, middle-upper-class, regions located in India. Her father, Amrit Nair, is an Indian administrative officer, and her mother, Praveen Nair, is a social worker who often worked with illiterate children. At the age of eleven, Nair and her family moved to Delhi due to her father transferring posts. By thirteen she left home to attend Loreto Convent Tara Hall, an Irish-Catholic missionary school located in Simla, where she developed an infatuation with English literature. Following Tara Hall, Nair went on to study at Miranda House at Delhi University, where she majored in Sociology. In order to gain the best education available, Nair applied to Western schools and at nineteen she was offered a full scholarship to Cambridge University, but ultimately turned it down and instead accepted a full scholarship to Harvard University.

Career

Documentaries

Before she became a filmmaker, Nair was originally interested in acting, and at one point she performed plays written by Badal Sarkar, a Bengali performer. While she studied at Harvard University, Nair became involved in the theater program and won a Boylston Prize for her performance of Jocasta’s speech from Seneca’s Oedipus.

At the start of her film-making career, Nair primarily made documentaries in which she explored Indian cultural tradition. For her film thesis at Harvard between 1978 and 1979, Nair produced a black-and-white film entitled Jama Masjid Street Journal. In the eighteen-minute film, Nair explores the streets of Old Delhi and has casual conversations with Indian locals.

In 1982, she made her second documentary entitled So Far from India, which is a fifty-two-minute film that followed an Indian newspaper dealer living in the subways of New York, while his pregnant wife waited for him to return home. This film was recognized as a Best Documentary winner at the American Film Festival and New York’s Global Village Film Festival.

In her third documentary, India Cabaret, released in 1984, Nair pushed boundaries and produced her most controversial film, in which she reveals the exploitation of female strippers that populate Bombay, and also follows a male customer who regularly visits a local strip club while his wife stays at home. Raising roughly $130,000 for the project, the fifty-nine-minute film was shot over a span of two months, and was subject to criticism from Nair’s loved ones.

By her fourth and last documentary that was made for Canadian television, Nair kept up with the controversial film-making and explored amniocentesis and how it was being used to determine the sex of fetuses. Released in 1987, Children of a Desired Sex exposed how female fetuses were aborted due to a society favoring male offspring.

Feature films

After departing the documentary film-making field, Nair teamed up with her old friend, Sooni Taraporevala, and together the two began writing Salaam Bombay! five years before the film was released in 1988. Taking her documentary film-making and prior acting experience into account, Nair sought out for real “street children” to properly portray the reality of children who survive in the streets and are being deprived of a real childhood. Though the film did not do well in the box office, the film won twenty-three international awards, and the most notable wins would be the Camera D’or and Prix du Publique at the Cannes Film Festival in 1988. Salaam Bombay! was also nominated at the Academy Awards for Best Foreign Language Film in 1989.

Following the success of Salaam Bombay!, Nair, alongside Taraporevala, continued challenge audiences once more by telling the story of Ugandan-born Indians displaced in Mississippi in her 1991 film, Mississippi Masala. The film features actors like Denzel Washington, Roshan Seth, and Sarita Choudhury. The film is centered on a carpet-cleaner business owner, played by Denzel Washington, who falls in love with the daughter of one of his Indian Clients, played by Sarita Choudhury. The relationship in the film reveals the evident prejudice in African-American and Indian communities. Like Salaam Bombay!, the film was well-received by critics and even earned a standing ovation at the Sundance Film Festival in 1992. The picture was also a recipient of three awards at the Venice Film Festival.

Nair went on to direct four more films before she produced one of her most notable films, Monsoon Wedding. Released in 2001, the film told the story of a Punjabi Indian wedding, written by Sabrina Dhawan. With only a small crew and some of Nair’s acquaintances and relatives as cast members, the film grossed over $30 million worldwide, which made it the most money ever made by an Indian film. The film was awarded the Golden Lion award at the Venice Film Festival, making Nair the first female recipient of the award.

Nair then directed the Golden Globe winning Hysterical Blindness (2002). After making William Makepeace Thackeray’s epic Vanity Fair (2004), she directed a film based on Jhumpa Lahiri’s best-selling novel The Namesake(2006). This was followed by the Amelia Earhart biopic, Amelia (2009), starring Hilary Swank and Richard Gere. In 2012 Nair directed The Reluctant Fundamentalist, a thriller based on the best-selling novel by Mohsin Hamid. It opened the 2012 Venice Film Festival to critical acclaim, and was released worldwide in early 2013.

In 2007, Nair was asked to direct Harry Potter and the Order of the Phoenix, but turned it down to work on her next notable film, The Namesake. Based on the book by Pulitzer Prize winner Jhumpa Lahiri, Sooni Taraporevala’s screenplay follows the son of Indian immigrants who wants to fit in with New York society, but struggles to get away from his family’s traditional ways. The film was presented with the Darmouth Film Award, and was also honored with the Pride of India award at the Bollywood Movie Awards.

In 2012 Nair directed The Reluctant Fundamentalist, a thriller based on the best-selling novel by Mohsin Hamid. It opened the 2012 Venice Film Festival to critical acclaim, and was released worldwide in early 2013.

She is currently directing the Disney production Queen of Katwe starring Lupita Nyong’o and David Oyelwo. The film is based on the true story of the Ugandan chess prodigy, Phiona Mutesi. She is also working on the musical adaptation of Monsoon Wedding.

Nair is an avid maker of short films, and recently directed a documentary film titled A Fork, a Spoon and a Knight, inspired by the Mandela quote, ‘Difficulties break some men but make others.’ She contributed to 11.09.01 (2002) in which 11 renowned filmmakers reacted to the events of September 11. Other titles include How Can It Be? (2008), Migration (2008), New York, I Love You (2009), and her collaboration with Emir Kusturica and Guillermo Arriaga on a compilation feature Words With God.

Other work

A long time activist, Nair set up an annual film-makers’ laboratory, Maisha Film Lab in Kampala, Uganda. Since 2005, young directors in East Africa have been trained at this non-profit facility with the belief that “If we don’t tell our stories, no one else will”. Maisha is currently building a school with Architect Raul Pantaleo, winner of Aga Khan Award for Architecture, and his company Studio Tamassociati.

In 1998, she used the profits from Salaam Bombay! to create Salaam Balak Trust which works with street children in India.

She currently lives in New York City, where she is an adjunct professor in the Film Division of the School of Arts for Columbia University. The university has a collaboration with Nair’s Maisha Film Lab, and offers opportunities for international students to work together and share their interests in film-making.

Personal life

In 1977, Mira Nair met her first husband, Mitch Epstein, when taking photography classes at Harvard University. They divorced by 1987, and in 1988 Nair met her husband Mahmood Mamdani while in Uganda doing research for the film Mississippi Masala. Their son, Zohran, was born in 1991. Like his wife, Mamdani also teaches at Columbia University.

Nair has been an enthusiastic yoga practitioner for decades; when making a film, she has the cast and crew start the day with a yoga session.

Political views

In July 2013, Nair declined an invitation to the Haifa International Film Festival as a "guest of honor" to protest Israel's policies toward Palestine. In postings on her Twitter account, Nair stated "I will go to Israel when the walls come down. I will go to Israel when occupation is gone...I will go to Israel when the state does not privilege one religion over another. I will go to Israel when Apartheid is over. I will go to Israel, soon. I stand w/ Palestine for the Academic and Cultural Boycott of Israel (PACBI) & the larger Boycott, Divestment, Sanctions (BDS) Mov’t." Nair was subsequently praised by PACBI, which stated that her decision to boycott Israel "helps to highlight the struggle against colonialism and apartheid." She subsequently tweeted "I will go to Israel, soon."

Filmography

• Jama Street Masjid Journal (1979)
• So Far From India (1982)
• India Cabaret (1985)
• Children of a Desired Sex (1987)
• Salaam Bombay! (1988)
• Mississippi Masala (1991)
• The Day the Mercedes Became a Hat (1993)
• The Perez Family (1995)
• Kama Sutra: A Tale of Love (1996)
• My Own Country (1998) (Showtime)
• Monsoon Wedding (2001)
• Hysterical Blindness (2002)
• 11'9"01 September 11 (Segment - "India") (2002)
• Still, The Children are Here (2003)
• Vanity Fair (2004)
• The Namesake (2006)
• Migration.. (2007)
• New York, I Love You (Segment - "Kosher Vegetarian") (2009)
• 8 (Segment - "How can it be?") (2008)
• Amelia (2009)
• The Reluctant Fundamentalist (2013)
• Words With Gods (2014)
• The Bengali Detective (2015)
• Queen of Katwe (2016)

Awards

She has won a number of awards, including a National Film Award and various international film festival awards, and was a nominee at the Academy Awards, Golden Globes, BAFTA Awards and Filmfare Awards. She was also awarded the India Abroad Person of the Year-2007. In 2012 she was awarded India's third highest civilian award the Padma Bhushan by President of India, Pratibha Patil.

Wins

• 1985: Best Documentary Film, Global Village Film Festival: India Cabaret
• 1986: Golden Athena, Athens International Film Festival: India Cabaret
• 1986: Blue Ribbon, American Film Festival: India Cabaret
• 1988: Audience Award, Cannes Film Festival: Salaam Bombay!
• 1988: Golden Camera (Best First Film), Cannes Film Festival: Salaam Bombay!
• 1988: National Film Award for Best Feature Film in Hindi: Salaam Bombay!
• 1988: National Board of Review Award for Top Foreign Films: Salaam Bombay!
• 1988: "Jury Prize", "Most Popular Film" and "Prize of the Ecumenical Jury" at Montreal World Film Festival: Salaam Bombay!
• 1988: New Generation Award, Los Angeles Film Critics Association Awards
• 1988: Lilian Gish Award (Excellence in Feature Film), Los Angeles Women in Film Festival: Salaam Bombay!
• 1991: Golden Osella (Best Original Screenplay), Venice Film Festival: Mississippi Masala (with Sooni Taraporevala)
• 1991: Critics Special Award, São Paulo International Film Festival: Mississippi Masala
• 1992: Best Director (Foreign Film), Italian National Syndicate of Film Journalists: Mississippi Masala
• 1992: Asian Media Award, Asian American International Film Festival
• 1993: Independent Spirit Award for Best Feature: Mississippi Masala
• 2000: Special Mention (Documentary and Essay), Biarritz International Festival of Audiovisual Programming: The Laughing Club of India
• 2001: Golden Lion (Best Film), Venice Film Festival: Monsoon Wedding
• 2001: Laterna Magica Prize, Venice Film Festival: Monsoon Wedding
• 2002: Audience Award, Canberra International Film Festival: Monsoon Wedding
• 2002: Special Award for International Cinema, Zee Cine Awards: Monsoon Wedding
• 2002: UNESCO Award, Venice Film Festival: 11'9"01 September 11
• 2004: Faith Hubley Web of Life Award, Rochester-High Falls International Film Festival
• 2007: "Golden Aphrodite", Love is Folly International Film Festival (Bulgaria): The Namesake
• 2012 ; Padma Bhushan by Govt. of India

Nominations

• 1989: Academy Award for Best Foreign Language Film: Salaam Bombay!
• 1989: César Award for Best Foreign Film (Meilleur film étranger): Salaam Bombay!
• 1989: Golden Globe Award for Best Foreign Language Film: Salaam Bombay!
• 1990: BAFTA Award for Best Film Not in the English Language: Salaam Bombay!
• 1990: Filmfare Best Director Award: Salaam Bombay!
• 1990: Filmfare Best Movie Award: Salaam Bombay!
• 1991: Golden Lion (Best Film), Venice Film Festival: Mississippi Masala
• 1996: Golden Seashell, San Sebastián International Film Festival: Kama Sutra: A Tale of Love
• 1999: Best Film, Verzaubert International Gay & Lesbian Film Festival: My Own Country
• 2001: Screen International Award (Best Non-European Film), European Film Awards: Monsoon Wedding
• 2001: Golden Globe Award for Best Foreign Language Film: Monsoon Wedding
• 2002: BAFTA Award for Best Film Not in the English Language: Monsoon Wedding
• 2003: Golden Star, International Film Festival of Marrakech: Hysterical Blindness
• 2003: César Award for Best Film from the European Union: 11'9"01 September 11
• 2004: Golden Lion (Best Film), Venice Film Festival: Vanity Fair
• 2007: Gotham Award for Best Film: The Namesake

[ Source: Wikipedia ]