Age: 79
Birthplace: Basel, Switzerland
Marthe Keller (born 28 January 1945) is a Swiss actress and opera director.
Marthe studied ballet as a child, but stopped after a skiing accident at age 16. She changed to acting, and worked in Berlin at the Schiller Theatre and the Berliner Ensemble.
Keller's earliest film appearances were in Funeral in Berlin (1966, in which she was not credited) and the German film Wilder Reiter GmbH (1967). She appeared in a series of French films in the 1970s, including Un cave (1971), La raison du plus fou (1973) and Toute une vie (And Now My Love, 1974). Her most famous American film appearances are her Golden Globe-nominated performance as Dustin Hoffman's girlfriend in Marathon Man (1976) and her performance as a femme fatale Palestinian terrorist who leads an attack on the Super Bowl in Black Sunday (1977). Keller acted alongside Al Pacino in the 1977 romantic drama film Bobby Deerfield, based on Erich Maria Remarque's novel Heaven Has No Favorites, and subsequently the two of them were involved in a relationship. She also acted alongside William Holden in Billy Wilder's 1978 romantic drama Fedora.
After 1978, Keller worked more steadily in European cinema compared to American movies. Her later films include Dark Eyes (1987), with Marcello Mastroianni.
In April 2016, she was announced as the President of the Jury for the Un Certain Regard section of the 2016 Cannes Film Festival.
In 2001, Keller appeared in an all-star Broadway adaptation of Abby Mann's play Judgment at Nuremberg, directed by John Tillinger, as Mrs. Bertholt, in the role played by Marlene Dietrich in the 1961 Stanley Kramer film version. She was nominated for a Tony Award as Best Featured Actress for this performance.
In addition to her work in film and theatre, Keller has developed a career in classical music as a speaker and opera director. She has performed the speaking role of Joan of Arc in Arthur Honegger's oratorio Jeanne d'Arc au Bûcher on several occasions, with conductors such as Seiji Ozawa and Kurt Masur. She has recorded the role for Deutsche Grammophon with Ozawa (DG 429 412-2). Keller has also recited the spoken part in Igor Stravinsky's Perséphone. She has performed classical music melodramas for speaker and piano in recital. The Swiss composer Michael Jarrell wrote the melodrama Cassandre, after the novel of Christa Wolf, for Keller, who gave the world premiere in 1994.
Keller's first production as an opera director was Dialogues des Carmélites, for Opéra National du Rhin, in 1999. This production subsequently received a semi-staged performance in London that year. She has also directed Lucia di Lammermoor for Washington National Opera and for Los Angeles Opera. Her directorial debut at the Metropolitan Opera was in a 2004 production of Don Giovanni.
Keller has one son, Alexandre (born 1971), from her relationship with director Philippe de Broca.
Year | Title | Role | Director | Notes |
---|---|---|---|---|
1966 | Funeral in Berlin | uncredited | Guy Hamilton | |
1967 | Wilder Reiter GmbH (de) | the nun | Franz-Josef Spieker (de) | |
1969 | Le Diable par la queue (fr) | Amélie | Philippe de Broca | |
1970 | Les Caprices de Marie (fr) | Marie Panneton | Philippe de Broca | |
1971 | Arsène Lupin | Countess Natasha | Jean-Pierre Decourt (fr) | TV series, 3 episodes |
1972 | La Demoiselle d'Avignon (fr) | Koba | Michel Wyn (fr) | TV series |
The Old Maid | Vicka | Jean-Pierre Blanc | ||
1974 | Only the Wind Knows the Answer | Angela Delpierre | Alfred Vohrer | |
And Now My Love | Sarah/her mother/her grandmother | Claude Lelouch | ||
1975 | Down the Ancient Staircase | Bianca | Mauro Bolognini | |
1976 | Marathon Man | Elsa Opel | John Schlesinger | |
1977 | Black Sunday | Dahlia Iyad | John Frankenheimer | |
Bobby Deerfield | Lillian | Sydney Pollack | ||
1978 | Fedora | Fedora/Antonia | Billy Wilder | |
1980 | The Formula | Lisa Spangler | John G. Avildsen | |
1981 | The Amateur | Elisabeth | Charles Jarrott | |
1982 | La Certosa di Parma (it) | Gina Sanseverina | Mauro Bolognini | TV miniseries |
1983 | Wagner | Mathilde Wesendonck | Tony Palmer | TV miniseries |
1985 | Red Kiss | Bronka | Véra Belmont | |
Joan Lui | Judy Johnson | Adriano Celentano | ||
1987 | Dark Eyes | Tina | Nikita Mikhalkov | |
1991 | Young Catherine | Princess Johanna | Michael Anderson | TV miniseries |
1994 | My Friend Max | Catherine Mercier | Michel Brault | |
1996 | Sostiene Pereira | Mrs. Delgado | Roberto Faenza | |
1997 | Women | Barbara | Luís Galvão Teles | |
1998 | The School of Flesh | Misses Thorpe | Benoît Jacquot | |
2002 | Time of the Wolf | Rebecca McGregor | Rod Pridy | |
2004 | Nightsongs (de) | Mother | Romuald Karmakar | |
2007 | Chrysalis | Professor Brügen | Julien Leclercq | |
2010 | Hereafter | the Swiss doctor | Clint Eastwood | |
2011 | The Giants | Rosa | Bouli Lanners | |
Page Eight | Leona Chew | David Hare | TV film | |
Mein bester Feind (de) | Hannah Kaufmann | Wolfgang Murnberger (de) | ||
2013 | The Mark of the Angels - Miserere | Laura Bernheim | Sylvain White | |
2016 | After Love | Christine | Joachim Lafosse |