Born: March 27, 1952
Age: 72
Birthplace: Paris, France
Marie Christine Schneider, better known as Maria Schneider, (27 March 1952 - 3 February 2011) was a French actress. She became known, at the age of 19, for playing Jeanne opposite Marlon Brando in Bernardo Bertolucci's film Last Tango in Paris (1972); and the Girl in Michelangelo Antonioni's The Passenger (1975), opposite Jack Nicholson.
Schneider was born in Paris to Daniel Gélin, a French actor, and Marie-Christine Schneider from Romania, who ran a bookshop in Paris. Gélin was married to actress and producer Danièle Delorme during his affair with Schneider; he never acknowledged Schneider as his daughter. Schneider was brought up by her mother in a town near the French border with Germany; she met her father only three times.
As a teenager, she adored films, going to the cinema up to four times a week. She left home at 15 after an argument with her mother and went to Paris, where she made her stage acting debut that same year. She eked out a living as a film extra and a model. While working as an extra, she met Brigitte Bardot, who knew her father. Bardot offered Schneider a room in her house. Through Bardot, Schneider met people in the film business. American actor Warren Beatty introduced her to the William Morris Agency. She was 18 when she had her first break in 1970, appearing in Madly, starring Alain Delon.
Schneider gained international renown for her performance at the age of 19 in the sexually explicit and controversial Last Tango in Paris (1972), directed by Bernardo Bertolucci. She performed several nude scenes in a graphic portrayal of anonymous sex with an older man. In an interview in 2007, Schneider described the director Bertolucci by the following: "He was fat and sweaty and very manipulative, both of Marlon and myself, and would do certain things to get a reaction from me." As for her working relationship with Brando, she said that he had a paternal relationship with her on the set. But Brando suggested the acted sodomy scene, and Bertolucci did not reveal this scene to her until just before the filming of it. In 2007 she said:
“ | I should have called my agent or had my lawyer come to the set because you can't force someone to do something that isn't in the script, but at the time, I didn't know that. Marlon said to me: 'Maria, don't worry, it's just a movie,' but during the scene, even though what Marlon was doing wasn't real, I was crying real tears. I felt humiliated and to be honest, I felt a little raped, both by Marlon and by Bertolucci. After the scene, Marlon didn't console me or apologise. Thankfully, there was just one take. | ” |
“ | Last Tango ... first major role. In fact, it's a total coincidence. I was friends with Dominique Sanda. She would make the film with Jean-Louis Trintignant, but she was pregnant. She had a large picture with her of both of us. Bertolucci saw it. He made me do a casting...I regretted my choice since the beginning of my career would have been sweeter, quieter. For Tango, I was not prepared. People have identified with a character that was not me. Butter, about saucy old pigs...Even Marlon with his charisma and class, felt a bit violated, exploited a little in this film. He rejected it for years. And me, I felt it doubly. | ” |
Schneider and Brando remained friends until his death, although they did not speak of the movie "for a while". She has said that due to her experience with the film - and her treatment afterward as a sex symbol rather than as a serious actress - she decided never to work nude again. She also appeared in films such as Michelangelo Antonioni's The Passenger (1975), Boris Szulzinger's Mama Dracula (1980), and Franco Zeffirelli's Jane Eyre (1996).
Schneider worked in more than 50 films and television productions between 1969 and 2008. During her career, she was a strong advocate for improving the work of women in film.
“ | I'm still struggling for the image of women in film and I'm still working, not as much as I would like to because for a woman in her late forties, it's hard to find work. Not only in France. I had a chat with Anjelica Huston last year. We spoke about the same problem, you know. I don't know where it comes from? The writers, the producers, or the directors. But I think it's a pity even for the public. We get a response to see a mature woman in film. We see many, many macho men in film. An actress like Meryl Streep doesn't work as much as Bob De Niro. | ” |
In 1974, Schneider came out as bisexual. In early 1976, she abandoned the film set of Caligula and checked herself into a mental hospital in Rome for several days to be with her lover, photographer Joan Townsend. This, coupled with her refusal to perform nude, led to Schneider's dismissal from the film. She was replaced by Teresa Ann Savoy.
The 1970s were turbulent years for Schneider, marked by drug addiction, overdoses, and a suicide attempt. Schneider said that she disliked the instant fame accorded to her from Last Tango in Paris. She suffered abuse and began taking drugs.
“ | I was rock 'n' roll. About drugs, we did not know at the time, it was so dangerous. There was an ideal, to change society and especially a thirst for novelty...I have lost seven years of my life and I regret it bitterly...I started using drugs when I became famous. I did not like the celebrity, and especially the image full of innuendo, naughty, that people had of me after Last Tango. In addition, I had no family behind me, who protect you ... I suffered abuse. People who come up to tell you unpleasant things on planes. I was tracked down, and I felt hounded. | ” |
By the 1980s, however, her life had improved:
“ | "I was very lucky - I lost many friends to drugs - but I met someone in 1980 who helped me stop. I call this person my angel and we've been together ever since. I don't say if it's a man or a woman. That's my secret garden. I like to keep it a mystery." | ” |
She died from cancer on 3 February 2011 at age 58. Remembering her, Bertolucci said, "Her death came too soon, before I could hold her again tenderly, and tell her that I felt connected to her as on the first day, and for once, to ask her to forgive me." He added, "Maria accused me of having robbed her of her youth and only today am I wondering whether there wasn't some truth to that."
Her funeral was held on 10 February 2011 at Église Saint-Roch, Paris, attended by actors, directors and producers in French cinema such as Dominique Besnehard, Bertrand Blier, Christine Boisson, Claudia Cardinale, Alain Delon and Andréa Ferreol, her girlfriend Pia Almadio, half-siblings Fiona and Manuel Gélin, and her uncle Georges Schneider. Delon read a tribute from Brigitte Bardot. Schneider was cremated afterwards at Père Lachaise crematorium, and her ashes were to be scattered at sea at the foot of the Rock of the Virgin in Biarritz, according to her last wishes.
On 1 July 2010, Schneider was awarded the medal of Chevalier, Ordre des Arts et des Lettres for her contributions to the arts by Minister of Culture and Communication, Frédéric Mitterrand. He had acted with her in Jacques Rivette's film, Merry-Go-Round (1981).
Schneider was referred to in the title of the song The Vanishing of Maria Schneider on dEUS' 2008 album Vantage Point.
The song "Maria" from the 2012 album Banga by Patti Smith was written in memory of Schneider.
Film | ||||
---|---|---|---|---|
Year | Film | English Translation/ Also Known As |
Role | Language |
1969 | Les Femmes | cameo appearance | French | |
L'Arbre de Noël | The Christmas Tree | cameo appearance | French | |
1970 | Madly | French | ||
1971 | Les jambes en l'air | a.k.a: César Grandblaise | Sarah Grandblaise | French |
1972 | Hellé | Nicole | French | |
La Vieille Fille | The Old Maid | Mome | French, German | |
What a Flash! | cameo appearance | French | ||
Ultimo tango a Parigi | Last Tango in Paris | Jeanne | French, English | |
1973 | Cari genitori | Dear Parents | Antonia | Italian, English |
Reigen (de) | Dance Of Love | Das süße Mädel | German | |
1975 | La Baby-Sitter | Scar Tissue | Michèle | English |
Professione: reporter | The Passenger | The Girl | English, German, Spanish | |
1977 | Violanta | Laura | French | |
1978 | Voyage au jardin des morts | Hypolyte | French | |
Io sono mia | I Belong To Me | Suna | Spanish | |
1979 | La Dérobade | Memoirs of a French Whore | Maloup | French |
Een vrouw als Eva | A Woman Like Eve | Liliane | Dutch | |
1980 | Weiße Reise | White Travel | German | |
Haine | Hate | French | ||
Mama Dracula | Mother Dracula | Nancy Hawaii | French, English | |
1981 | Une saison de paix à Paris | a.k.a: Sezona mira u Parizu | Elen | French, Serbian |
La chanson du mal aimé | French | |||
Merry-Go-Round | Leo | English | ||
1982 | Cercasi Gesù | Looking For Jesus a.k.a: L'imposteur |
Francesca | Italian |
Balles perdues | Stray Bullets | Véra | French | |
1984 | Princess & The Photographer | a.k.a: Yoroppa tokkyu | English, Japanese | |
1987 | Résidence surveillée | Céline Fontaine | French | |
1989 | Bunker Palace Hôtel | Muriel | ||
1991 | The Conviction | |||
Écrans de sable | Sarah | French | ||
1992 | Au pays des Juliets | In the Country of Juliets | Raissa | |
Les Nuits fauves | Savage Nights | Noria | French | |
1996 | Jane Eyre | Bertha | English | |
1998 | Something to Believe In | English | ||
2000 | Les Acteurs | The Actors | herself | French |
2002 | La Repentie | The Repentant | French | |
2004 | Au large de Bad Ragaz | |||
2006 | Perds pas la boule! | Thelda | French | |
Quale amore | Italian | |||
2007 | La Vie d'artiste | The Life Of The Artist | cameo appearance | French |
La clef | The Key | Solange | French | |
2008 | Cliente | Client | Marie-Hélène | French |