Born: January 6, 1913
Died: August 12, 2000 (at age 87)
Birthplace: Salt Lake City, Utah, U.S.
Loretta Young (January 6, 1913 - August 12, 2000) was an American actress. Starting as a child actress, she had a long and varied career in film from 1917 to 1953. She won the 1948 best actress Academy Award for her role in the 1947 film The Farmer's Daughter, and received an Oscar nomination for her role in Come to the Stable, in 1949. Young moved to the relatively new medium of television, where she had a dramatic anthology series, The Loretta Young Show, from 1953 to 1961. The series earned three Emmy Awards, and reran successfully on daytime TV and later in syndication. In the 1980s Young returned to the small screen and won a Golden Globe in Christmas Eve in 1986. Young, a devout Roman Catholic, worked with various Catholic charities after her acting career.
She was born Gretchen Young in Salt Lake City, Utah, the daughter of Gladys (née Royal) and John Earle Young. At confirmation, she took the name "Michaela". When she was two years old, her parents separated, and when she was three, she and her family moved to Hollywood. She and her sisters Polly Ann and Elizabeth Jane (better known as Sally Blane) worked as child actresses, but of the three, Young was the most successful.
Young's first role was at the age of three, in the silent film The Primrose Ring. During her high school years, she was educated at Ramona Convent Secondary School. She was signed to a contract by John McCormick (1893-1961), husband and manager of actress Colleen Moore, who saw the young girl's potential. The name "Loretta" was given to her by Colleen, who later would explain that it was the name of her favorite doll.
Young was billed as Gretchen Young in the silent film, Sirens of the Sea (1917). It was not until 1928 that she was first billed as "Loretta Young" in The Whip Woman. That same year she co-starred with Lon Chaney in the MGM film Laugh, Clown, Laugh. The next year she was named one of the WAMPAS Baby Stars.
In 1930, when she was 17, she eloped with 26-year-old actor Grant Withers; they were married in Yuma, Arizona. The marriage was annulled the next year, just as their second movie together (appropriately titled Too Young to Marry) was released.
In 1935, she co-starred with Clark Gable and Jack Oakie in the film version of Jack London's The Call of the Wild, directed by William Wellman.
During World War II, Young made Ladies Courageous (1944; reissued as Fury in the Sky), the fictionalized story of the Women's Auxiliary Ferrying Squadron. It depicted a unit of female pilots during WWII who flew bomber planes from the factories to their final destinations. Young made as many as eight movies a year. In 1947 she won an Oscar for her performance in The Farmer's Daughter. That same year she co-starred with Cary Grant and David Niven in The Bishop's Wife, a perennial favorite. In 1949 she received another Academy Award nomination for Come to the Stable. In 1953 she appeared in her last theatrical film, It Happens Every Thursday, a Universal comedy about a New York couple who move to California to take over a struggling weekly newspaper; her costar was John Forsythe.
Loretta Young hosted and starred in the well-received half-hour anthology series Letter to Loretta (1953-61). Her trademark was a dramatic entrance through a living room door in various high fashion evening gowns. She returned at the program's conclusion to offer a brief passage from the Bible or a famous quote that reflected upon the evening's story. (Young's introductions and conclusions to her television shows were not rerun on television because she legally stipulated that they not be, as she did not want the dresses she wore in those segments to "date" the program.) Her program ran in prime time on NBC for eight years, the longest-running prime-time network program hosted by a woman up to that time.
The program, which earned her three Emmys, was based on the premise that each drama was in answer to a question asked in her fan mail. The program's original title was Letter to Loretta. The title was changed to The Loretta Young Show during the first season (as of the February 14, 1954 episode), and the "letter" concept was dropped at the end of the second season. At this time, Young's hospitalization, due to overwork towards the end of the second season, required that there be a number of guest hosts and guest stars; her first appearance in the 1955-56 season was for the Christmas show. From then on, Young appeared in only about half of each season's shows as an actress, and served as the program's host for the remainder.
Minus Young's introductions and conclusions, the series was rerun as the Loretta Young Theatre in daytime by NBC from 1960 to 1964. It also appeared in syndication into the early 1970s, before being withdrawn.
In the 1962-1963 television season, Young appeared as Christine Massey, a freelance magazine writer and mother of seven children, in CBS's The New Loretta Young Show. It fared poorly in the ratings on Monday evenings against ABC's Ben Casey. It was dropped after one season of 26 episodes.
In the 1990s, selected episodes from Young's personal collection, with the opening and closing segments (and original title) intact, were released on home video, and frequently were shown on cable television.
In 1988 she was awarded the Women in Film Crystal Award for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry.
Young has two stars on the Hollywood Walk of Fame; one for motion pictures, at 6104 Hollywood Boulevard, and another for television, at 6141 Hollywood Boulevard. In 2011, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to her.
Young was married to actor Grant Withers from 1930 to 1931. From September 1933 to June 1934, Young had a public affair with Spencer Tracy, her co-star in Man's Castle. She married producer Tom Lewis in 1940 and they divorced very bitterly in the mid-1960s; Lewis died in 1988. They had two sons, Peter Lewis (of the San Francisco rock band Moby Grape), and Christopher Lewis, a film director. She married fashion designer Jean Louis in 1993. Louis died in 1997. Young was godmother to Marlo Thomas (daughter of TV star Danny Thomas).
Young and Clark Gable were the romantic leads of the 1935 Twentieth Century Pictures film The Call of the Wild; filming occurred in early 1935. Young was at the time 22 years old, while Gable was 34 and married (to Maria "Ria" Franklin Prentiss Lucas Langham). During the filming, Gable impregnated Young.
For the next 80 years, those who knew of Gable's paternity widely assumed the pregnancy to be the result of an affair between the two. However, in 2015, Linda Lewis, Young's daughter-in-law (and Christopher Lewis's wife) stated publicly that, in 1998, Young told Lewis that Gable had raped her; and that, though the two had flirted on set, there had been no affair and no intimate contact save for that one incident. Young had not revealed the information before to anyone. According to Lewis, Young only stated it after having learned of the concept of date rape; she had previously always believed that it was a woman's job to fend off men's amorous advances, and had felt the fact that Gable had been able to force himself on her thus represented a moral failing on her part.
Young, her sisters and her mother came up with a plan to hide the pregnancy, then pass off the child as an adopted child. Young did not want to damage her career, or Gable's; and she knew that, if Twentieth Century Pictures found out about the pregnancy, they would try to pressure her to have an abortion, which Young, a devout Catholic, considered a mortal sin. When the pregnancy began to show, Young went on a "vacation" to England, and several months later returned to California. Shortly before the birth, she gave an interview from her bed, covered in blankets, stating that her long movie absence was due to a condition she'd had since childhood. Young gave birth to Judith Young on November 6, 1935, in a house that she and her mother owned in Venice, California. Young named Judith after St. Jude due to him being the patron saint of (among other things) difficult situations.
Three weeks later, Young returned to movie making. After several months of living in the house in Venice, Judy was transferred to St. Elizabeth's, an orphanage outside Los Angeles. When she was 19 months old, her grandmother picked her up and Young announced to gossip columnist Louella Parsons that she had adopted the infant.
Few in Hollywood were fooled by the ruse, and the child's true parentage was widely rumored in entertainment circles. Young refused to confirm or comment publicly on the rumors until 1999, when Joan Wester Anderson wrote Young's authorized biography. In her interviews with Anderson for the book, Young stated that Judy was her biological child and the product of Young having had a brief affair with Gable. The child was raised as "Judy Lewis", taking the last name of Young's second husband, producer Tom Lewis.
Judy Lewis wrote in her autobiography Uncommon Knowledge that some people made fun of her because of the prominent ears she had inherited from her father. She states that at seven she had an operation to "pin back" her large ears and that her mother always had her wear bonnets as a child. In 1958, Lewis' future husband Joseph Tinney told her "everybody" knew that Gable was her biological father. The only time Lewis remembered Gable visiting her was once at her home when she was a teenager; she had no idea he was her biological father. Several years later he appeared on The Loretta Young Show after Young had been in hospital for several months. Lewis was an assistant and was right behind her mother when she noticed Gable. They never had a relationship and she never saw him again. Several years later, after becoming a mother herself, Lewis finally confronted her mother, who privately admitted the truth, stating that Judy was "a walking mortal sin".
Linda Lewis said the family stayed silent about the date rape claim until after both Loretta Young and Judy Lewis had died.
Young was a lifelong Republican. In 1952, she appeared in radio, print, and magazine ads in support of Dwight D. Eisenhower, and was in attendance at his inauguration along with Anita Louise, Louella Parsons, Jane Russell, Dick Powell, June Allyson, and Lou Costello, among others. In both 1968 and 1980 she was a vocal supporter of Richard Nixon and Ronald Reagan. She was also an active member of the Hollywood Republican Committee with close friend Irene Dunne as well as Ginger Rogers, William Holden, George Murphy, Fred Astaire, and John Wayne.
From the time of Young's retirement in the 1960s, until not long before her death, she devoted herself to volunteer work for charities and churches with her friends of many years: Jane Wyman, Irene Dunne, and Rosalind Russell. She was a member of the Good Shepherd Parish and the Catholic Motion Picture Guild in Beverly Hills, California. Young did, however, briefly come out of retirement to star in two television films, Christmas Eve (1986), and Lady in the Corner (1989). Young won a Golden Globe Award for the former, and was nominated again for the latter.
In 1972, a jury in Los Angeles awarded Young $550,000 in her breach of contract suit against NBC. Filed in 1966, the suit contended that NBC had allowed foreign television outlets to rerun old episodes of The Loretta Young Show without excluding, as agreed by the parties, the opening segment where Young would make her entrance. Young testified that her image had been damaged by portraying her in "outdated gowns," and a jury agreed to less than the $1.9 million sought.
Young died on August 12, 2000, from ovarian cancer, at the Santa Monica, California, home of her half-sister, Georgiana Montalbán (the wife of actor Ricardo Montalban), and was interred in the family plot in the Holy Cross Cemetery in Culver City, California. Her ashes were buried in the grave of her mother, Gladys Belzer. Her elder sisters had both died from cancer, as did her daughter, Judy Lewis, on November 25, 2011, at age 76.
Year | Title | Role | Notes |
---|---|---|---|
1917 | The Primrose Ring | Fairy | Lost; uncredited |
1917 | Sirens of the Sea | Child | as Gretchen Young |
1919 | The Only Way | Child on the operating table | |
1921 | White and Unmarried | Child | uncredited |
1921 | The Sheik | Arab child | Extant; uncredited |
1927 | Naughty but Nice | Bit Part | uncredited; lost |
1927 | Her Wild Oat | Bit by Ping Pong Table | uncredited, extant |
1928 | The Whip Woman | The Girl | lost |
1928 | Laugh, Clown, Laugh | Simonetta | extant made at MGM |
1928 | The Magnificent Flirt | Denise Laverne | lost; (made at Paramount Pictures) |
1928 | The Head Man | Carol Watts | lost |
1928 | Scarlet Seas | Margaret Barbour | lost; Vitaphone track of music and effects survives |
1929 | Seven Footprints to Satan | One of Satan's victims | uncredited, extant |
1929 | The Squall | Irma | extant Library of Congress |
1929 | The Girl in the Glass Cage | Gladys Cosgrove | lost |
1929 | Fast Life | Patricia Mason Stratton | lost; Vitaphone soundtrack discs at UCLA Film and Television |
1929 | The Careless Age | Muriel | lost |
1929 | The Forward Pass | Patricia Carlyle | lost |
1929 | The Show of Shows | "Meet My Sister" number; extant Library of Congress | |
1930 | Loose Ankles | Ann Harper Berry | extant Library of Congress |
1930 | The Man from Blankley's | Margery Seaton | lost; Vitaphone soundtrack discs at UCLA Film & Television |
1930 | Show Girl in Hollywood | uncredited, extant Library of Congress | |
1930 | The Second Floor Mystery | Marion Ferguson | extant Library of Congress |
1930 | Road to Paradise | Mary Brennan/Margaret Waring | extant Library of Congress |
1930 | Warner Bros. Jubilee Dinner | Herself | short subject |
1930 | Kismet | Marsinah | lost; Vitaphone soundtrack discs at UCLA Film & Television |
1930 | War Nurse | Nurse | uncredited(Young's scenes deleted), extant made at MGM |
1930 | The Truth About Youth | Phyllis Ericson | extant Library of Congress |
1930 | The Devil to Pay! | Dorothy Hope | extant, produced by Samuel Goldwyn released by United Artists |
1931 | How I Play Golf, by Bobby Jones No. 8: 'The Brassie' | Herself | short subject |
1931 | Beau Ideal | Isobel Brandon | extant(made at RKO) |
1931 | The Right of Way | Rosalie Evantural | extant Library of Congress |
1931 | The Stolen Jools | Herself | short subject |
1931 | Three Girls Lost | Norene McMann | extant |
1931 | Too Young to Marry | Elaine Bumpstead | extant Library of Congress |
1931 | Big Business Girl | Claie 'Mac' McIntyre | extant Library of Congress |
1931 | I Like Your Nerve | Diane Forsythe | extant Library of Congress |
1931 | The Ruling Voice | Gloria Bannister | extant Library of Congress |
1931 | Platinum Blonde | Gallagher | |
1932 | Taxi! | Sue Riley Nolan | extant Library of Congress |
1932 | The Hatchet Man | Sun Toya San | original title The Honorable Mr. Wong; ... extant Library of Congress |
1932 | Play-Girl | Buster 'Bus' Green Dennis | extant Library of Congress |
1932 | Week-End Marriage | Lola Davis Hayes | extant Library of Congress |
1932 | Life Begins | Grace Sutton | extant Library of Congress |
1932 | They Call It Sin | Marion Cullen | extant Library of Congress |
1933 | Employees' Entrance | Madeleine Walters West | extant Library of Congress |
1933 | Grand Slam | Marcia Stanislavsky | extant Library of Congress |
1933 | Zoo in Budapest | Eve | extant |
1933 | The Life of Jimmy Dolan | Peggy | extant Library of Congress |
1933 | Heroes for Sale | Ruth Loring Holmes | extant Library of Congress |
1933 | Midnight Mary | Mary Martin | |
1933 | She Had to Say Yes | Florence 'Flo' Denny | extant Library of Congress |
1933 | The Devil's in Love | Margot Lesesne | extant |
1933 | Man's Castle | Trina | extant |
1934 | The House of Rothschild | Julie Rothschild | |
1934 | Born to Be Bad | Letty Strong | |
1934 | Bulldog Drummond Strikes Back | Lola Field | |
1934 | Caravan | Countess Wilma | |
1934 | The White Parade | June Arden | |
1935 | Clive of India | Margaret Maskelyne Clive | |
1935 | Shanghai | Barbara Howard | |
1935 | The Call of the Wild | Claire Blake | |
1935 | The Crusades | Berengaria, Princess of Navarre | |
1935 | Hollywood Extra Girl | Herself | short subject |
1936 | The Unguarded Hour | Lady Helen Dudley Dearden | |
1936 | Private Number | Ellen Neal | |
1936 | Ramona | Ramona | |
1936 | Ladies in Love | Susie Schmidt | |
1937 | Love Is News | Toni Gateson | |
1937 | Café Metropole | Laura Ridgeway | |
1937 | Love Under Fire | Myra Cooper | |
1937 | Wife, Doctor and Nurse | Ina Heath Lewis | |
1937 | Second Honeymoon | Vicky | |
1938 | Four Men and a Prayer | Miss Lynn Cherrington | |
1938 | Three Blind Mice | Pamela Charters | |
1938 | Suez | Countess Eugenie de Montijo | |
1938 | Kentucky | Sally Goodwin | |
1939 | Wife, Husband and Friend | Doris Borland | |
1939 | The Story of Alexander Graham Bell | Mrs. Mabel Hubbard Bell | |
1939 | Eternally Yours | Anita | |
1940 | The Doctor Takes a Wife | June Cameron | |
1940 | He Stayed for Breakfast | Marianna Duval | |
1941 | The Lady from Cheyenne | Annie Morgan | |
1941 | The Men in Her Life | Lina Varsavina | |
1941 | Bedtime Story | Jane Drake | |
1943 | A Night to Remember | Nancy Troy | |
1943 | China | Carolyn Grant | |
1943 | Show Business at War | Herself | short subject |
1944 | Ladies Courageous | Roberta Harper | Famously "a clef" biopic of the WWII WASPs - pioneering lady pilots |
1944 | And Now Tomorrow | Emily Blair | |
1945 | Along Came Jones | Cherry de Longpre | |
1946 | The Stranger | Mary Longstreet | |
1947 | The Perfect Marriage | Maggie Williams | |
1947 | The Farmer's Daughter | Katrin 'Katy' Holstrum | Academy Award for Best Actress |
1947 | The Bishop's Wife | Julia Brougham | |
1948 | Rachel and the Stranger | Rachel Harvey | |
1949 | The Accused | Dr. Wilma Tuttle | |
1949 | Mother Is a Freshman | Abigail Fortitude Abbott | |
1949 | Come to the Stable | Sister Margaret | Nominated - Academy Award for Best Actress |
1950 | Key to the City | Clarissa Standish | |
1951 | You Can Change the World | Herself | short subject |
1951 | Cause for Alarm! | Ellen Jones | |
1951 | Half Angel | Nora Gilpin | |
1951 | Screen Snapshots: Hollywood Awards | Herself | short subject |
1952 | Paula | Paula Rogers | |
1952 | Because of You | Christine Carroll Kimberly | |
1953 | It Happens Every Thursday | Jane MacAvoy | |
1986 | Christmas Eve | Amanda Kingsley | |
1989 | Lady In The Corner | Grace Guthrie | |
1994 | Life Along the Mississippi | Narrator (voice) |
Year | Program | Episode/source |
---|---|---|
1940 | The Campbell Playhouse | Theodora Goes Wild |
1945 | Cavalcade of America | Children, This Is Your Father |
1947 | Family Theater | "Flight from Home" |
1950 | Suspense | "Lady Killer" |
1952 | Lux Radio Theatre | "Come to the Stable" |
1952 | Family Theater | "Heritage of Home" |