Biography

Early life

Leslie Dixon is the granddaughter of photographer Dorothea Lange and landscaper painter Maynard Dixon. Dixon grew up in the California Bay Area. At the age of 18, she was living alone in San Francisco without enough money to afford college. Once she realized that she wanted to pursue writing, she moved to Hollywood at the age of 26 with hopes of making her way into the film industry. Having no contacts within the industry, she began by working office jobs for several years and eventually landed a job as a script reader. During her time as a script reader she studied the scripts she was reading. She learned the structure of scripts, their layout on the page, the elements that were needed in order to make a script appealing and successful and was able to recognize the types of scripts that gained the most attention from producers. This gave her insight into "what was and wasn’t being bought". She wrote continuously in her free time and after a year of living in Hollywood she attempted to write her first screenplay (written with an unknown co-writer). Her partner got an agent attached to the piece and after receiving two offers it was then sold to Columbia Pictures for $30,000. Although it never made it to production, this was the beginning of her career.

Career

Dixon began her screenwriting career in the romantic comedy genre. Her first solo screenplay was Outrageous Fortune (1987), written for Shelley Long and Bette Midler. The idea for the screenplay came at Robert Cort's request for a "female buddy film", he sought after Dixon to pursue the task. From 1987 to 1997, Dixon successfully continued to write romantic comedies, including films such as: Overboard (1987), Loverboy (1989), Mrs. Doubtfire (1993) and That Old Feeling (1997). After the success of these films, Dixon decided to challenge herself and tackle different genres, such as dramas and thrillers. She began this transition by adapting novels for the big screen. Her first adaptation was an Edith Wharton novel. Although the script did not make it into the production phase, its quality allowed Dixon to gain credit and recognition within the film industry. The credibility she gained with her Edith Wharton screenplay, led her to write adaptations such as the thriller The Thomas Crown Affair (1999), a re-write from Alan Trustman's original screenplay in 1968 and then the drama Pay It Forward (2000) based on Catherine Ryan Hyde's novel Pay It Forward. Dixon continued to adapt novels into screenplays, searching for the right novels to bring to the big screen. After reading Alan Glynn's The Dark Fields, which became Limitless (2011), she not only saw the potential of this novel as a feature but also wanted to jump into another genre; action. She continues and prefers to adapt novels into feature films.

Dixon was nominated for a Saturn Award for her Freaky Friday (2003) screenplay.

Personal life

She is married to fellow screenwriter, producer and director Tom Ropelewski. They have a son together, Thomas Ropelewski born January 16, 1996. They reside in Beverly Hills, California.

Filmography

Feature Films

Year	Title	Credit
1987	Outrageous Fortune	Writer
1987	Overboard	Writer
1989	Loverboy	Co-Writer, Producer
1990	Madhouse	Producer
1993	Look Who's Talking Now	Executive Producer
1993	Mrs. Doubtfire	Writer
1997	That Old Feeling	Writer, Producer
1999	The Thomas Crown Affair	Writer (re-write)
2000	Pay It Forward	Writer
2000	The Next Best Thing	Producer
2003	Freaky Friday	Writer
2005	Just Like Heaven	Writer
2007	Hairspray	Writer (re-write)
2007	The Heartbreak Kid	Writer
2011	Limitless	Writer, Producer
2014	Gone Girl	Executive Producer

TV Shows

Year	Title	Credit
2012-2013	The 85th Annual Academy Awards	Writer
2015-2016	Limitless	Co-executive Producer

[ Source: Wikipedia ]