Background

She was raised in the country town of Kilmore, Victoria, being the twelfth in a large family of thirteen children. She studied English and History at the University of Melbourne, before later attending Glasgow University where she completed a Diploma and Masters in Social Work. She began writing while working as a criminal justice social worker, where for a period she worked with serious sex offenders in Glasgow's Barlinnie Prison. She quit this job for a time to focus solely on her writing career, before returning to the field part-time. She cites her experience as a social worker an inspiration in the subject matter of her writing.

Writing

FitzGerald began as a screenwriter, producing a series of educational children's dramas for BBC Scotland. However, she became frustrated with the industry when none of her subsequent screenplays were produced and turned to novel-writing. She states that the rules of screenwriting are very stringent, but that in having learned them she has improved as a writer.

Her books are mostly thrillers, though she herself has described her genre as "Domestic Noir", a term coined by her fellow author Julia Crouch.

Works

FitzGerald has written eleven novels to date, with a twelfth set to be released in 2016:

• Dead Lovely, published 2007
• The Devil's Staircase, published 2009
• My Last Confession, published 2009
• Bloody Women, published 2009
• Amelia O'Donohue is SO not a Virgin, published 2010
• The Donor, published 2011
• Hot Flush, published 2011
• The Duplicate, published 2012
• Deviant, published 2013
• The Cry, published 2013
• The Exit, published 2015

Critical Reaction

Some critics noted that FitzGerald's first book, while generally described as a crime novel, did not follow the traditional rules of the genre. They argued that it belonged to a different, more psychologically complex tradition, characterised by the dark humour and flawed anti-heroines of writers such as Tama Janowitz and Fay Weldon. Novelist Mark Abernethy wrote of FitzGerald: "She has managed to do what Fay Weldon did in The Life and Loves of a She-Devil, which is to find the joke in what appalls us." Australian critic Sally Murphy described the novel as compelling but hard to classify, with "elements of chick-lit mixed with ghastly scenes of murder and retribution", while Adelaide writer Cath Kenneally highlighted FitzGerald's technique of underpinning audacious and potentially shocking material - "working blue" - with "sociological acumen".

The Cry has received the widest critical acclaim of any of Helen's novels to date, with Doug Johnstone from The Independent on Sunday stating: "Astonishingly good. It is utterly harrowing, completely plausible, constantly nerve-shredding ... It plays on the deepest, darkest fears of all parents about their children, and embeds that everyday terror in a plot so up-to-the-minute that you'll swear it's been lifted from the pages of a newspaper ... The Cry is a remarkable novel - its devastating power all the stronger for its realistic rendering. Brilliant stuff."

Nominations

Helen has been nominated for several awards, including:

• The 2010 Davitt Award for The Devil's Staircase
• The 2010 Spinetingler Award for The Devil's Staircase
• The 2012 Davitt Award for The Donor
• The 2014 Theakstons Old Peculier Crime Novel of the Year Award for The Cry
• The 2014 Davitt Award for The Cry

[ Source: Wikipedia ]