Career

Born in Walton in Gordano, Somerset, Geoff and his mother moved to the town Portishead when he was eleven after his parents divorced. After being involved in many local rock bands, playing drums and dj'ing in hiphop groups, Barrow got his first job at the Coach House Studios as a tape operator soon after it opened in 1989. In 1991, while he was assisting on Massive Attack's breakthrough album Blue Lines, the band allowed him spare studio time to get his own ideas on tape. A few years later, when the Portishead project had been assembled, the group came back to record "Sour Times" in that same studio. At the dawn of the '90s, Barrow was making a name for himself as a remixer, working with such artists as Primal Scream, Paul Weller, Gabrielle and Depeche Mode. In addition, Barrow had produced a track for Tricky and written songs for Neneh Cherry.

In 2001, he formed the Australian record label, Invada Records (whose artist roster includes acts such as RuC.L and ARIA-award-winning group Koolism), together with Katalyst's Ashley Anderson.

In 2003, Barrow set up Invada UK, a more experimental music label with partner Fat Paul, signing bands such as Gonga, Team Brick, Atavist, Joe Volk, malakai and Crippled Black Phoenix. As "Fuzzface", Barrow co-produced and co-wrote Stephanie McKay's 2003 debut album, "McKay", featuring songs co-penned by Tim Saul and Carl Hancock Rux. He has also remixed songs for both Gravediggaz and The Pharcyde.

In 2005, Barrow, along with Adrian Utley, produced The Coral's third album, The Invisible Invasion. He and the other members of Portishead recorded and released an album in April 2008, titled Third.

In 2009, Barrow produced The Horrors' second album Primary Colours with Craig Silvey.

Another Barrow project is Beak with Billy Fuller (Fuzz Against Junk) and Matt Williams (Team Brick). Their self-titled album was released in 2009.

In 2010, Barrow met a political journalist who shared the same musical vision and a week later she, Barrow, Fuller and Williams begin recording material. After twelve days, using one room, no overdubs or repair, and only edits to create arrangements, they produced Anika's self-titled debut album Anika, and its lead single "Yang Yang", released 17 November 2009 on Barrows' Invada and on Stones Throw Records in USA & Japan.

Barrow was the music supervisor for the Banksy film Exit Through the Gift Shop, premièred at the Sundance Film Festival on 24 January 2010, and released in April 2010.

In early 2012, Barrow's new hip hop project Quakers was announced to be releasing an album on Stones Throw Records. He also formed the musical project Drokk with TV composer Ben Salisbury and released the album Drokk: Music inspired by Mega-City One from the movie Dredd.

On 2 July 2012, Barrow, Billy Fuller and Matt Williams released their second Beak album on Invada Records.

In 2013, Barrow collaborated again with Ben Salisbury on the score for the Alex Garland sci-fi thriller Ex Machina (released worldwide in January 2015).

Credits

Barrow provided scratching on a couple of songs on Earthling's 1995 album, Radar. Additionally, Barrow provided a remix of Run the Jewels' track Close Your Eyes and Count to Fuck (featuring Zach de la Rocha) for the album Meow the Jewels.

[ Source: Wikipedia ]