Born: March 28, 1948
Age: 76
Birthplace: Kansas City, Missouri, U.S.A
Dianne Evelyn Wiest (/wiːst/; born March 28, 1948) is an American actress. Wiest won an Academy Award for Best Supporting Actress for Hannah and Her Sisters (1986) and Bullets over Broadway (1994), both directed by Woody Allen. She appeared in three other Allen's films: The Purple Rose of Cairo (1985), Radio Days (1987) and September (1987). She also starred in Ron Howard's Parenthood, for which she received her third Oscar nomination. Wiest also received two Screen Actors Guild Awards and one BAFTA Award nomination.
Her other film roles include Footloose (1984), The Lost Boys (1987), Bright Lights, Big City (1988), Edward Scissorhands (1990), Little Man Tate (1991), The Birdcage (1996), Practical Magic (1998), Dan in Real Life (2007), Synecdoche, New York (2008) and Rabbit Hole (2010).
For her work on television she won two Primetime Emmy Awards.
Wiest was born in Kansas City, Missouri. Her mother, Anne Stewart (née Keddie), was born in Auchtermuchty, Scotland, and worked as a nurse. Her father, Bernard John Wiest, was a college dean and former psychiatric social worker for the U.S. Army; he was American-born, of German and Croatian descent. Wiest's parents met in Algiers. She has two brothers: Greg and Don Wiest. Wiest's original ambition was to be a ballerina, but in her senior year at Nurnberg American High School she switched her goal to theatre.
Wiest graduated from the University of Maryland in 1969 with a degree in Arts and Sciences.
Wiest studied theatre at the University of Maryland, leaving after her third term to tour with a Shakespearean troupe. Later, she had a supporting role in a New York Shakespeare Festival production of Ashes. She also acted at the Yale Repertory Theatre in New Haven, CT, playing the title role in Henrik Ibsen's Hedda Gabler. She was an understudy both off-Broadway and on Broadway, in Kurt Vonnegut's Happy Birthday, Wanda June in 1970.
She made her Broadway debut in Robert Anderson's Solitaire/Double Solitaire, taking over in the role of the daughter in 1971. She landed a four-year job as a member of the Arena Stage in Washington, D.C., in such roles as Emily in Our Town, Honey in Who's Afraid of Virginia Woolf?, and leading roles in S. Ansky's The Dybbuk, Maxim Gorky's The Lower Depths and George Bernard Shaw's Heartbreak House. She toured the USSR with the Arena Stage. In 1976, Wiest attended the Eugene O'Neill National Playwrights Conference and starred in leading roles in Amlin Gray's Pirates and Christopher Durang's A History of the American Film. At Joe Papp's Public Theater she took over the lead in Ashes, and played Cassandra in Agamemnon, directed by Andrei Şerban.
She appeared in two plays by Tina Howe: Museum and The Art of Dining. In the latter, Wiest's performance as the shy and awkward author Elizabeth Barrow Colt won three off-Broadway theatre awards: an Obie Award (1980), a Theatre World Award (1979-1980), and the Clarence Derwent Award (1980), given yearly for the most promising performance in New York theatre.
On Broadway she appeared in Frankenstein (1981), directed by Tom Moore, portrayed Desdemona in Othello (1982) opposite James Earl Jones and Christopher Plummer and co-starred with John Lithgow in Christopher Durang's romantic screwball comedy Beyond Therapy (1982), directed by John Madden. (She played opposite Lithgow again in the Herbert Ross film Footloose. During the 1980s, she also performed in Hedda Gabler, directed by Lloyd Richards at Yale Repertory Theatre, and in Harold Pinter's A Kind of Alaska (1984, Manhattan Theatre Club), Lanford Wilson's Serenading Louie (1984), and Janusz Glowacki's Hunting Cockroaches (1987, Manhattan Theater Club). As Wiest became established as a film actress through her work in Woody Allen's films, she was less frequently available for stage roles. However, she did appear onstage during the 1990s, in In the Summer House, Square One, Cynthia Ozick's The Shawl, and Naomi Wallace's One Flea Spare. In 2003, she appeared with Al Pacino and Marisa Tomei in Oscar Wilde's Salome. In 2005, she starred in Kathleen Tolan's Memory House. She also starred in a production of Wendy Wasserstein's final play Third (directed by Daniel Sullivan) at Lincoln Center.
Recent New York theater roles include performances as Arkadina in an off-Broadway revival of The Seagull (opposite Alan Cumming's Trigorin) and as Kate Keller in a Broadway revival of Arthur Miller's All My Sons, opposite John Lithgow, Patrick Wilson, and Katie Holmes. In 2009, Wiest appeared in the National Memorial Day Concert on the Mall in Washington, D.C. in a dialogue with Katie Holmes celebrating the life of an American veteran seriously wounded in Iraq, José Pequeño. Wiest spent September 2010 as a visiting teacher at Columbia University's Graduate Acting Program, working with a group of 18 first-year MFA Acting students on selected plays by Anton Chekhov and Arthur Miller.
Her early screen roles include small roles in It's My Turn and I'm Dancing as Fast as I Can, both starring Jill Clayburgh in the lead roles. In 1984, she starred in Footloose, as the reverend's wife and Ariel's mother. Under Woody Allen's direction, Wiest won an Academy Award for Best Supporting Actress for Hannah and Her Sisters in 1987 and Bullets over Broadway in 1995. She also appeared in three other Woody Allen films: The Purple Rose of Cairo (1985), Radio Days (1987) and September (1987).
She followed her first Oscar success with performances in The Lost Boys (1987) and Bright Lights, Big City (1988). She also starred with Steve Martin, Mary Steenburgen, Jason Robards, Keanu Reeves and Martha Plimpton in Ron Howard's Parenthood, for which she received her third Oscar nomination. Other major film roles include Tim Burton's Edward Scissorhands (1990), Jodie Foster's Little Man Tate (1991) and The Birdcage (1996), Mike Nichols' remake of La Cage aux Folles.
On television, her performance on the series Road to Avonlea in 1989 brought her her first Emmy Award for Outstanding Guest Actress in a Dramatic Series. She received another nomination for her performance in the 1999 telefilm The Simple Life of Noah Dearborn, co-starring Sidney Poitier. She starred in the television mini-series The 10th Kingdom in 2000. From 2000 to 2002, Wiest portrayed interim District Attorney Nora Lewin in the long-running NBC crime drama Law & Order. She also played the character in two episodes of Law & Order: Special Victims Unit and the pilot episode of Law & Order: Criminal Intent.
Wiest starred alongside Steve Carell and Juliette Binoche in Dan in Real Life (2007) and had a key supporting role in Charlie Kaufman's 2008 film Synecdoche, New York. In 2008, she appeared as Gabriel Byrne's therapist, Gina Toll, on the HBO television series In Treatment, for which she received her second Emmy Award, for Outstanding Supporting Actress in a Drama Series. She received another nomination (in the same category) for the second season, in 2009, but did not win. She starred alongside Nicole Kidman in Rabbit Hole (2010), which debuted at the Toronto International Film Festival. Wiest also co-starred in Lawrence Kasdan's 2012 comedy Darling Companion, alongside Kevin Kline and Diane Keaton.
Wiest was in a long-term relationship with a New York talent agent, Sam Cohn, for many years. Cohn died in 2009. She adopted two daughters: Emily (b. 1987) and Lily (b. 1991).
Year | Title | Role | Notes |
---|---|---|---|
1980 | It's My Turn | Gail | as Diane Wiest |
1982 | I'm Dancing as Fast as I Can | Julie Addison | |
1983 | Face of Rage | Rebecca Hammil | |
1983 | Independence Day | Nancy Morgan | Nominated — New York Film Critics Circle Award for Best Supporting Actress |
1984 | Falling in Love | Isabelle | |
1984 | Footloose | Vi Moore | |
1985 | Purple Rose of Cairo, TheThe Purple Rose of Cairo | Emma | |
1986 | Hannah and Her Sisters | Holly | Academy Award for Best Supporting Actress Boston Society of Film Critics Award for Best Supporting Actress Los Angeles Film Critics Association Award for Best Supporting Actress National Board of Review Award for Best Supporting Actress National Society of Film Critics Award for Best Supporting Actress New York Film Critics Circle Award for Best Supporting Actress Nominated — Golden Globe Award for Best Supporting Actress - Motion Picture |
1987 | Radio Days | Bea | Nominated — BAFTA Award for Best Actress in a Supporting Role |
1987 | September | Stephanie | |
1987 | Lost Boys, TheThe Lost Boys | Lucy Emerson | |
1988 | Bright Lights, Big City | Mother | |
1989 | Parenthood | Helen Buckman | Nominated — Academy Award for Best Supporting Actress Nominated — American Comedy Award for Funniest Supporting Actress in a Motion Picture Nominated — Golden Globe Award for Best Supporting Actress - Motion Picture |
1989 | Cookie | Lenore | |
1990 | Edward Scissorhands | Peg Boggs | Nominated — Chicago Film Critics Association Award for Best Supporting Actress Nominated — Los Angeles Film Critics Association Award for Best Supporting Actress Nominated — National Society of Film Critics Award for Best Supporting Actress Nominated — Saturn Award for Best Supporting Actress |
1991 | Little Man Tate | Jane Grierson | |
1994 | Bullets over Broadway | Helen Sinclair | Academy Award for Best Supporting Actress American Comedy Award for Funniest Supporting Actress in a Motion Picture Chicago Film Critics Association Award for Best Supporting Actress Dallas-Fort Worth Film Critics Association Award for Best Supporting Actress Golden Globe Award for Best Supporting Actress - Motion Picture Independent Spirit Award for Best Supporting Female Kansas City Film Critics Circle Award for Best Supporting Actress Los Angeles Film Critics Association Award for Best Supporting Actress National Society of Film Critics Award for Best Supporting Actress New York Film Critics Circle Award for Best Supporting Actress Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role Society of Texas Film Critics Award for Best Supporting Actress Southeastern Film Critics Association Award for Best Supporting Actress Nominated — Boston Society of Film Critics Award for Best Supporting Actress |
1994 | Cops & Robbersons | Helen Robberson | |
1994 | Scout, TheThe Scout | Doctor H. Aaron | |
1995 | Drunks | Rachel | |
1996 | Associate, TheThe Associate | Sally Dugan | |
1996 | Birdcage, TheThe Birdcage | Louise Keeley | American Comedy Award for Funniest Supporting Actress in a Motion Picture Blockbuster Entertainment Award for Favorite Supporting Actress in a Comedy Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture |
1998 | Practical Magic | Aunt Bridget 'Jet' Owens | Nominated — American Comedy Award for Funniest Supporting Actress in a Motion Picture Nominated — Blockbuster Entertainment Award for Favorite Supporting Actress in a Comedy |
1998 | Horse Whisperer, TheThe Horse Whisperer | Diane Booker | |
2001 | I Am Sam | Annie Cassell | |
2002 | Merci Docteur Rey | Elisabeth Beaumont | |
2005 | Robots | Lydia Copperbottom | Voice only |
2006 | Guide to Recognizing Your Saints, AA Guide to Recognizing Your Saints | Flori | Sundance Film Festival — Special Jury Prize for Best Ensemble Performance |
2007 | Dedication | Carol | |
2007 | Dan in Real Life | Nana Burns | |
2008 | Passengers | Toni | |
2008 | Synecdoche, New York | Ellen Bascomb/Millicent Weems | Gotham Independent Film Award for Best Ensemble Cast Independent Spirit Award - Robert Altman Award |
2009 | Rage | Miss Roth | |
2010 | Rabbit Hole | Nat | Nominated — Satellite Award for Best Supporting Actress - Motion Picture |
2011 | The Big Year | Brenda Harris | |
2012 | Darling Companion | Penny | |
2012 | Odd Life of Timothy Green, TheThe Odd Life of Timothy Green | Ms. Crudstaff | |
2014 | The Humbling | Carol, Pegeen's Mother | |
2015 | Five Nights in Maine | Lucinda | |
2015 | Sisters | Deana Ellis |
Year | Title | Role | Notes |
---|---|---|---|
1975 | Zalmen: or, The Madness of God | Nina | Television film |
1978 | Great Performances: Out of Our Father's House | Elizabeth Gertrude Stern | Television film |
1997 | Road to Avonlea | Lillian Hepworth | TV series Primetime Emmy Award for Outstanding Guest Actress in a Drama Series |
1999 | The Simple Life of Noah Dearborn | Sarah McClellan | Television film Nominated — Primetime Emmy Award for Outstanding Supporting Actress in a Miniseries or a Movie |
2000 | The 10th Kingdom | The Evil Queen/Christine White | Television miniseries |
2000-02 | Law & Order | D.A. Nora Lewin | Seasons 11 & 12: 48 episodes Nominated — Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series |
2001 | Law & Order: Criminal Intent | D.A. Nora Lewin | Episode: "One" |
2001-02 | Law & Order: Special Victims Unit | D.A. Nora Lewin | 2 episodes |
2004 | The Blackwater Lightship | Lily | Television film Satellite Award for Best Actress - Miniseries or Television Film |
2004 | Category 6: Day of Destruction | Secretary of Energy Shirley Abbott | Television miniseries |
2008-09 | In Treatment | Dr. Gina Toll | Season 1 & 2: 17 episodes Gracie Award for Outstanding Supporting Actress - Drama Series Primetime Emmy Award for Outstanding Supporting Actress - Drama Series Nominated — Primetime Emmy Award for Outstanding Supporting Actress - Drama Series Nominated — Golden Globe Award for Best Supporting Actress - Series, Miniseries or Television Film Nominated — Satellite Award for Best Supporting Actress - Series, Miniseries or Television Film |
2008 | The Return of Jezebel James | Talia Tompkins | 2 episodes |
2014 | The Blacklist | Ruth Kipling | 1 episode: Season 1, Episode 15, "The Judge" (#57) |
2015-present | Life in Pieces | Joan Short | Series regular |