Early life and career details

Béla Fleck was born in New York City, and is named after Hungarian composer Béla Bartók, Austrian composer Anton Webern and Czech composer Leoš Janáček. He was raised by his mother, a former school teacher, and claims he did not meet his father until he was in his 40s. He was drawn to the banjo when he first heard Earl Scruggs play the theme song for the television show Beverly Hillbillies. He received his first banjo at age fifteen from his grandfather in 1973. Later, Fleck enrolled in New York City's High School of Music and Art where he studied the French horn. He was a banjo student under Tony Trischka.

Shortly after high school, Fleck traveled to Boston to play with Jack Tottle, Pat Enright, and Mark Schatz in the group Tasty Licks. During this period, Fleck released his first solo album in 1979, Crossing the Tracks, and made his first foray into progressive bluegrass composition.

Fleck played on the streets of Boston with bassist Mark Schatz. Along with guitarist/vocalist Glen Lawson and mandolin great Jimmy Gaudreau, they formed Spectrum in 1981. Fleck toured with Spectrum during 1981. That same year, Sam Bush asked Fleck to join New Grass Revival. Fleck performed with New Grass Revival for nine years. During this time, in 1987 Fleck recorded another solo album, Drive, which was nominated for a Grammy Award in 1988 in the new category of "Best Bluegrass Album".

During the 1980s Fleck and Bush also performed live occasionally with Doc Watson and Merle Watson in various bluegrass festivals, most notably the annual Telluride Bluegrass Festival.

Béla Fleck and the Flecktones

Béla Fleck and Victor Wooten formed Béla Fleck and the Flecktones in 1988, along with keyboardist and harmonica player Howard Levy and Wooten's percussionist brother Roy "Future Man" Wooten, who played synthesizer-based percussion. They recorded numerous albums, most notably Flight of the Cosmic Hippo, their second album, which reached number one on the Billboard Top Contemporary Jazz Albums chart, and found increased popularity among jazz/rock/fusion fans. Levy left the group in 1992, making the band a trio until saxophonist Jeff Coffin joined the group onstage in 1997. His first studio recording with the band was their 1998 album Left of Cool. Coffin left the group in 2008 to replace Dave Matthews Band's saxophonist, LeRoi Moore. Howard Levy rejoined the Flecktones in 2009. Béla Fleck and the original Flecktones went on to record Rocket Science, and tour in 2011.

With the Flecktones, Fleck has been nominated for and won several Grammy awards.

Other music and recordings

Fleck has shared Grammy wins with Asleep at the Wheel, Alison Brown, and Edgar Meyer. He has been nominated in more categories than any other musician, namely country, pop, jazz, bluegrass, classical, folk, spoken word, composition, and arranging.

In 2001, Fleck collaborated with long-time friend and playing-partner Edgar Meyer to record Perpetual Motion, an album of classical material played on the banjo along with an assortment of accompanists, including John Williams, Evelyn Glennie, Joshua Bell and Gary Hoffman. The album includes selections such as Chopin's Etude Op. 10 No. 4 in C# minor, Debussy's Doctor Gradus ad Parnassum, and Paganini's Moto perpetuo (from which is derived the name), as well as more lyrical pieces such as the first movement of Beethoven's Moonlight Sonata, two of Chopin's mazurkas, and two Scarlatti keyboard sonatas. Perpetual Motion won two Grammys at the Grammy Awards of 2002 for Best Classical Crossover Album and Best Arrangement for Fleck and Meyer's arrangement of Doctor Gradus ad Parnassum. Fleck and Meyer have also composed a double concerto for banjo and bass, and performed its debut with the Nashville Symphony Orchestra. Fleck and Meyer were later commissioned to compose a trio concerto, for which they teamed up with Indian tabla player Zakir Hussain. The concerto debuted in Nashville in 2006 and was later recorded for the album The Melody of Rhythm. The trio subsequently toured together in 2009 and 2010.

Fleck names Chick Corea, Charlie Parker, and the aforementioned Earl Scruggs as influences. He regards Scruggs as "certainly the best" banjo player of the three-finger style.

Solo and with the Flecktones, Fleck has appeared at High Sierra Music Festival, Telluride Bluegrass Festival, Merlefest, Montreal International Jazz Festival, Toronto Jazz Festival, Newport Folk Festival, Delfest, Austin City Limits Music Festival, Shakori Hills, Bonnaroo, and Jazzfest, among others.

He has appeared as a sideman with artists including Tony Rice, Dave Matthews Band, Ginger Baker and Phish. An appearance with the Dave Matthews Band, along with the rest of the Flecktones, resulted in the longest singular live song in DMB history, "#41", at 32:03 in length. Fleck played banjo on three tracks on Dave Matthews Band's 1998 album Before These Crowded Streets, including the album's debut single "Don't Drink the Water".

In 2005, while the Flecktones were on hiatus, Fleck undertook several new projects: recording with African traditional musicians; cowriting a documentary film called Bring it Home about the Flecktones' first year off in 17 years and their reunion after that time; coproducing Song of the Traveling Daughter, the debut album by Abigail Washburn; forming the acoustic fusion supergroup Trio! with fellows Jean-Luc Ponty and Stanley Clarke, and recording an album as a member of the Sparrow Quartet (along with Washburn, Ben Sollee, and Casey Driessen).

In late 2006, Fleck teamed up with Chick Corea to record an album, The Enchantment, released in May 2007. Fleck and Corea toured together throughout 2007.

In July 2007 at the Winnipeg Folk Festival, he appeared and jammed with Toumani Diabaté, a kora player from Mali. He was scheduled to play the 2009 Bonnaroo Music and Arts Festival with Toumani Diabaté.

Fleck has also played with Malian ngoni (ancestor of the banjo) player Cheick Hamala Diabate.

In December 2007, he performed charity concerts in Germany to help promote AIDS awareness. His largest concert was held in Grosse Halle Bern, Switzerland on December 1, 2007.

In 2007, while touring the United States, the Tuvan throat-singing group Alash Ensemble recorded three tracks with Bela Fleck and the Flecktones for the Christmas album Jingle All the Way. Later in December 2008 and December 2009 Alash toured with the Flecktones to promote the album, which won the 2009 Grammy Award for Best Pop Instrumental Album.

On June 13, 2008, he performed as part of The Bluegrass Allstars, composed of bluegrass heavyweights Sam Bush, Luke Bulla, Edgar Meyer, Bryan Sutton, and Jerry Douglas at the Bonnaroo Music and Arts Festival in Manchester, Tennessee. The next day Fleck performed with Abigail Washburn and the Sparrow Quartet at the same festival.

In 2009, an independent film documentary of Fleck's visit to Uganda, Tanzania, The Gambia, and Mali, was released to limited run engagements in US cities. Throw Down Your Heart was directed by Sascha Paladino, Fleck's half brother. It was filmed during Fleck's year off from touring with the Flecktones.

Fleck premiered his Concerto for Banjo in Nashville, Tennessee on September 22, 2011, performing with the Nashville Symphony Orchestra, which commissioned the work.

Fleck was Joanie Bartels' banjo player.

Personal life

Fleck is married to banjo player Abigail Washburn. Washburn first met Fleck in Nashville at a square dance at which she was dancing and he was playing. Fleck produced Washburn's first solo album. Fleck brought Washburn to Sascha Paladino's wedding in August 2007, and they played in a scratch band composed of wedding party members. In May 2009, the Bluegrass Intelligencer website satirized the upcoming "strategic marriage" of Washburn and Fleck, with Driessen joking that the couple promised a "male heir" who will be the "Holy Banjo Emperor". In February 2010, The Aspen Times reported that Washburn was Fleck's wife. On May 19, 2013, Washburn gave birth in Nashville to their son.

Media appearances

• Béla was featured on such television shows such as Late Show with David Letterman, Late Night with Jimmy Fallon, Late Night with Conan O'Brien, Saturday Night Live, Later with Jools Holland, Sesame Street, Austin City Limits, The Tonight Show with Jay Leno, Music City Tonight and The Marty Stuart Show. Also Sunday Morning on CBS in March 2015.
• Béla was featured on the July/August 2013 cover of Making Music Magazine to discuss his life and career.

Discography

Further information: Béla Fleck discography Further information: New Grass Revival discography Further information: Béla Fleck and the Flecktones discography

Accolades

Grammy awards and nominations

Béla Fleck has been nominated in more categories than any other musician in Grammy history.

Year	Award	Work	Result
1986	Country Instrumental	"Seven By Seven" (from New Grass Revival by New Grass Revival)	Nominated
1987	Country Instrumental	"Metric Lips" (from Hold to a Dream by New Grass Revival)	Nominated
1988	Bluegrass Album	Drive	Nominated
1989	Country Instrumental	"Bigfoot" (from Friday Night in America by New Grass Revival	Nominated
1990	Jazz Album	Béla Fleck & The Flecktones	Nominated
	Jazz Instrumental	???	Nominated
1991	Jazz Album	Flight of the Cosmic Hippo	Nominated
	Jazz Instrumental	"Blu-Bop"	Nominated
1992	Jazz Instrumental	"Magic Fingers" (from UFO Tofu)	Nominated
1994	Spoken Word For Children	The Creation by Amy Grant	Nominated
1995	Best Country Instrumental Performance	"Hightower" by Asleep at the Wheel with Béla Fleck and Johnny Gimble	Won
	Country Instrumental	"Cheeseballs in Cowtown" (from The Bluegrass Sessions: Tales from the Acoustic Planet, Vol. 2)	Nominated
1996	Best Pop Instrumental Performance	"The Sinister Minister" by Béla Fleck and the Flecktones (with Sam Bush & Paul McCandless)	Won
	World Music	Tabula Rasa	Nominated
1998	Best Instrumental Composition	"Almost 12" by Béla Fleck and the Flecktones	Won
	Pop Instrumental	"Big Country" (from Left of Cool)	Nominated
	Country Instrumental	"The Ride" (from Restless on the Farm by Jerry Douglas)	Nominated
1999	Bluegrass	Bluegrass Sessions	Nominated
2000	Best Contemporary Jazz Album	Outbound by Béla Fleck and the Flecktones	Won
	Best Country Instrumental Performance	"Leaving Cottondale" by Alison Brown and Béla Fleck	Won
	Pop Instrumental	"Zona Mona" (from Outbound)	Nominated
2001	Best Instrumental Arrangement	Doctor Gradus Ad Parnassum from Children's Corner Suite (Debussy) by Béla Fleck and Edgar Meyer	Won
	Best Classical Crossover Album	Perpetual Motion by Béla Fleck with Edgar Meyer, Joshua Bell, and others	Won
2003	Country Instrumental Performance	"Bear Mountain Hop" (from The Country Bears Soundtrack)	Nominated
2005	Country Instrumental	"Who's Your Uncle" (from Best Kept Secret by Jerry Douglas)	Nominated
	Contemporary Jazz Album	Soulgrass by Bill Evans	Nominated
2006	Best Contemporary Jazz Album	The Hidden Land by Béla Fleck and the Flecktones	Won
	Pop Instrumental	"Subterfuge" (from The Hidden Land)	Nominated
2009	Best Pop Instrumental Album	Jingle All The Way by Béla Fleck and the Flecktones	Won
	Country Instrumental Performance	"Sleigh Ride" (from Jingle All The Way)	Nominated
2010	Best Pop Instrumental Performance	"Throw Down Your Heart" by Béla Fleck	Won
	Best Contemporary World Music Album	Throw Down Your Heart by Béla Fleck	Won
	Best Classical Crossover Album	The Melody of Rhythm	Nominated
2011	Best Contemporary World Music Album	Throw Down Your Heart, Africa Sessions Part 2: Unreleased Tracks by Béla Fleck	Won
2012	Best Instrumental Composition	"Life in Eleven" by Béla Fleck and Howard Levy	Won
2016	Best Folk Album	Béla Fleck & Abigail Washburn	Won

[ Source: Wikipedia ]